Trailing Petunia
Sculpture by Ruth Moilliet
Just the Beginning
Bamboo
The Temple in the Courts Garden
Water
Bowood
California Poppies (2)
Oxeye Daisies
Poppies in a Garden
Snowman
Wet Afternoon in March-Bamboo
Wet Afternoon in March-Path (1)
Wet Afternoon in March-Wheelbarrow
Wet Afternoon in March-Allium in the Dye Pool
Wet Afternoon in March-Spade
Wet Afternoon in March-Temple
Wet Afternoon in March-Rivulet
Wet Afternoon in March-Spring Flowers
Wet Afternoon in March-Visitors on Japanese Bridge
Wet Afternoon in March-Orphaned Brick
Wet Afternoon in March-View from a Bench
Wet Afternoon in March-Path (2)
Wet Afternoon in March-Potting Shed
Wet Afternoon in March-Closed
Wet Afternoon in March-Edging
Wet Afternoon in March-Topiary
Private
Hide and Seek
Weeding with a Three Pronged Hoe
April Shadows
Grape Hyacinth (Helios-44)
Ivy Strangling a Tree
Raindrops
Bluebells
Chiefly Red
Blue Barricade
Neglected Haven
Pond in April
Concrete 2
Watering the Garden, Good Friday, 2019
Hiding
All Dunn
Flags
On The Run
Rock Rose
Red Valerian
Blue Bricks
Going Over
Red Valerian
Apples Growing By A Fence
Sunflower Infants
Suburbia (Shed)
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Roses
Watering the Sunflower Plants
A Good Start in Life
Get Ready Cos Here I Come
Pink Rose
Mixed Border
Rose of Sharon
Lavender-Depth of Field
All Alone in the World (Nikon Series E)
Gardening Glove
Through an Open Window
Wheelbarrows
Garden, Avebury Manor
Back to Back
Devotions
Animated and Still
Cole Manor, Pitcombe
Inside the Radić Pavilion
Photographer in the Oudolf Field
Clock in the Oudolf Field
Grass Circles at Hauser and Wirth, Somerset
Radić Pavilion (Low Point of View)
Radić Pavilion Funnel
Alexander Calder Exhibit
Sky Over the Radić Pavilion
Legacy Lens: Nikkor-H Auto 85mm f/1.8
Chairs in the Radić Pavilion
Radić Pavilion
The Oudolf Field with a Nikkor-H Auto 85mm f/1.8 o…
Oudolf Daisies
A Pot of Earl Grey Tea at Cole Manor, Somerset
Window Box
Wheelbarrow Blues
Listing Wheelbarrow
Hats
Garden Seat for Two
Tokina Blues
Chinon 55mm f/1.4: (1)
Chinon 55mm f/1.4: (3)
Chinon 55mm f/1.4: (2)
No Sign of Hemingway
A Multitude
Nikkor 180mm AF ED f/2.8 Lens
Winter Woolies
Gardening Tips
Pursuing the Pink
The Courts Garden, Holt
Secateurs
Cranesbill
Safe In My Garden
Terracotta Pots
Six Daisies
California Poppies
Clematis
Blue Leaves
Buddleia and Washing
Red and Green
Stourhead Lake
Stourhead Garden (AF Nikkor 28-105mm f/3.5-4.5D)
Stourhead Garden
Profoundly Yellow
Skeleton
Pink Behind Gold
Two Leaves
Sweet Pea, Stourhead
Runner Beans, Stourhead
Reyview
Yellowness
Astor Hedging Shears
Centaurea Montana
Pink Rose
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Canon EF 35-105mm f-3.5-4.5 Lens
Fashion photographer Erik Madigan Heck undertakes most of his assignments with just one lens: a Canon EF 35-105mm f/3.5-4.5 released in 1987 and long discontinued. It is a push-pull design with an optical formula very similar to, if not the same as, the old FD lens of the same designation.
Heck believes the lens, which isn't in the best of shape, possesses a character that benefits his work. (My copy - pictured above - after being held together with sticky tape on the switch which was supposed to provide a choice of auto or manual focus has given up the ghost, so I understand perfectly the phrase 'not in the best of shape').
gizmodo.com/this-fashion-photographer-uses-only-one-beat-up-hand-me-1586569058
Heck believes the lens, which isn't in the best of shape, possesses a character that benefits his work. (My copy - pictured above - after being held together with sticky tape on the switch which was supposed to provide a choice of auto or manual focus has given up the ghost, so I understand perfectly the phrase 'not in the best of shape').
gizmodo.com/this-fashion-photographer-uses-only-one-beat-up-hand-me-1586569058
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This lens was well reviewed in 'Amateur Photographer' of May 6th, 1989. The results showed central definition - very good; edge definition - very good; image contrast - excellent; and overall performance - very good. The reviewer found the performance was practically as good wide open as stopped down and that 'it is fully usable at all focal lengths and apertures'.
This lens predates Canon's designation of its best lenses as 'L'. But it might be within that classification if it was still in production.
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