Tenba P-750 Pro Pak™

For the photographer there are specific-purpose bags: rainy day bags; anti-pickpocket bags; bags which do not look like camera bags for use in tough neighbourhoods; slim-profile bags for carrying in crowded areas; bags to inspire confidence at an important event you've been hired to shoot; bags so impossibly large you use them as a supply depot where your other bags call to make changes to their contents; bags which are devoted to specialist items like flashguns or filters; medium-format bags; 35mm film camera bags; digital camera-with-lens-fixed-always bags; soiled bags that you don't mind using in dirty conditions ... the list is endless.

The more camera bags I try - all sourced from eBay, the world's greatest lending library, where sometimes it's even possible to turn a modest profit on short-term acquisitions - the more I realise that what we're talking about is a sack. A sack with compartments, a sack with different dimensions to the previous sack, a sack made from different materials, but nevertheless a sack.

This particular bag is the Tenba P-750 Pro Pak™ from the early 1980s, with its super-cool logo which reads the same upside down (but best not to verify this when the bag is full of kit). You often see them referred to as the ‘Tenba Equa’ because the logo suggests that is the name.

It was available in rust, black, and grey, as well as the more traditional tan colour you see here. It is constructed of ‘Cordura’, a waterproof and rugged nylon. ‘Cordura’ will always win in a friction squabble with your coat or trousers. Tenba put a less aggressive pad of material on later Pro Pak™ bags where the ‘Cordura’ met the owner’s clothing.

The P-750 is an unusual design with a fairly deep compartment within the lid to store 30 to 40 rolls of film, and a stout zip fastener to keep the contents secure. On the other side of the top ‘half’- i.e. on the inside of the bag’s main compartment - is a modest zipped compartment which might be for tickets and passport-type documents. There are four ‘D’ rings, for a back-harness or tripod straps, and unusual side straps which can be deployed to limit the travel of the lid or to transport a monopod. The main compartment lacks the extreme weather-proofing measures you find on a Billingham bag, like zips and secondary flaps. That is perhaps a weakness if near water or sand. It rather negates the value of ‘Cordura’ as a waterproof fabric.

The coups de foudre are the two external pouches which, in combination with the hip logo, make this bag unusually distinctive in a market place stuffed with boring oblong boxes with straps.

Photographed with a Nikon D2Xs camera and a 35mm f/1.8 AF-S DX Nikkor lens.