Medieval Elephants

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the tapestries, once woven to embellish the monks´ choir. They were commissioned by Jacques de Saint-Nectaire and were woven by a Flemish workshop between 1501 and 1518. The collection includes 14 tapestries of which two are different and may have been ordered by the abbot for his personal use. The 12 other tapestries constitute a complete continuation of the Annunciation to the Last Judgment. An inventory prior to the Revolution mentions 18 tapestries, so four tapestries have therefore disappeared. The tapestries were only exhibited during major liturgical feasts. They were rolled up and kept during the troubles during the Wars of Religion and the Revolution. In 2013 the tapestries were removed. They got restored and returned to the abbey in July 2019. I was lucky to see them in August 2019. Seen in the centre is "Harrowing of Hell". Note that part of the Hellmouth is an elephant. To the left is Loth and his family leaving Sodom, to the left Shadrach, Meshach and Abednego in the blazing furnace (Daniel 3.19)

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the tapestries, once woven to embellish the monks´ choir. They were commissioned by Jacques de Saint-Nectaire and were woven by a Flemish workshop between 1501 and 1518. The collection includes 14 tapestries of which two are different and may have been ordered by the abbot for his personal use. The 12 other tapestries constitute a complete continuation of the Annunciation to the Last Judgment. An inventory prior to the Revolution mentions 18 tapestries, so four tapestries have therefore disappeared. The tapestries were only exhibited during major liturgical feasts. They were rolled up and kept during the troubles during the Wars of Religion and the Revolution. In 2013 the tapestries were removed. They got restored and returned to the abbey in July 2019. I was lucky to see them in August 2019. The elephant is part of the Hellmouth (see prev. upload for a total).

The church was built in the 12th century and was "ruled" by the canons of Bourges. A near fountain may have been already a Celtic place of worship, that got Christianized at the time of Saint Martin. During the French Wars of Religions, the village got completely destroyed and the church was partially burnt down. It was rebuilt at the beginning of the 18th century, so only the facade from the 13th and the choir from the 12th century are still Romanesque. The church was locked. I had learned, that one of the capitals depicted a medieval elephant - and I was lucky and found the elephant on the outside.

Bitonto, today a city of a population of about 55000, was probably founded by Greek settlers. Traces of a city wall dating to the 5th and 4th century BC were found. Legends tell that the name Bitonto is connected to an Illyrian king named Botone. Later "Civitas Butuntinenses" became a self-governing Roman municipium, A Paleochristian basilica existed very early. During the 9th century, Bitonto successfully withstood a Saracen raid but got destroyed by Byzantine troops in 975. The Normans took over Apulia. In the 11th and 12th century. Under the rule of the Normans of Roger II of Sicily, William I of Sicily (aka William the Wicked) and William II of Sicily (aka William the Good), the city prospered and got new walls. In 1227, Bitonto was the scene of ex-communication of Frederick II accused by pope Gregory IX of having come to terms with the sultan al-Malik al-Kamil. - The Bitonto Cathedral, dedicated to San Valentino, was erected 1175/1200 in the centre of the city. The construction was probably influenced by the "Basilica of San Nicola" in Bari and was done in the typical "Apulian Romanesque" style. It is proven that the bishopric existed in 1089, though the crypt of the cathedral has remains of a 5th-century church. There are three portals. The central one has a double archivolt, that is densely populated with animal and vegetable figures. I have tilted the photo by 90°, to give a better impression of this elephant. Emperor Frederick II was the owner of the "Cremona Elephant", a present he had received from Al-Kamil. The "Cremona Elephant" was the second elephant in Europe after Roman times. The first was Charlemagnes "Abul Abbas". Frederick II presented the "Cremona Elephant" in his triumph parades. As this elephant is anatomically pretty precise - it is probably the Cremona Elephant.

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the20th century the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. The cathedral was built from white, local stones, that change the colour from white to yellowish and reddish, during the sunset. The facade has a large rose window, surrounded by griffins and lions, what is no surprise. The window below the rose is flanked by two ELEPHANTS!

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the20th century the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. The cathedral was built from white, local stones, that change the colour from white to yellowish and reddish, during the sunset. The window of the facade is flanked by two ELEPHANTS! Slowly approaching the elephants. They support pillars on which lions are seated (only one is visible, wearing a moustache). The elephants are anatomically very precise and for sure they are created after Frederick II´s "Cremona elephant".

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the20th century the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. The cathedral was built from white, local stones, that change the colour from white to yellowish and reddish, during the sunset. There are dozens of sculpted corbels under the transept´s roof. I could find two elephants. Here is one of them.

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the 20th century the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. The cathedral was built from white, local stones, that change the colour from white to yellowish and reddish, during the sunset. There are dozens of sculpted corbels under the transept´s roof. I could find two elephants. Here is one, who has obviously lost the tips of the tusks. The small holes show, how they once were attached.

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the 20th century the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. Large areas of the cathedral´s floor have been covered by extensive mosaics in the 12th century. Only a few parts of these mosaics have survived the times. As the visitors are not allowed near to that delicate mosaics, it is not easy to take good shots, but here is, attacked by a lion, an elephant with tusks and trunk!

Legends tell, that the Homeric hero Diomedes founded "Canusion", the town existed already in early Etrscian times and later became a Greek polis. In Roman times it was a colony and had a large amphitheatre. End of the 3rd century it was the capital of Apulia and Calabria. Bishops are known here already in the 4th century, when one of them took part in a Council. The area suffered from Muslim invasions and got completely destroyed in 844. Rebuilding took place a century later, It was under Lombardian rule until the Norman conquest and the establishement of the Kingdom of Sicily. Under Bohemund I of Antioch (+ 1111), son of Robert Guiscard, it regained some of its earlier importance. The Cathedral of San Sabino was founded in the 8th century by the Lombards. When it was comleted in 1101 it was named after St. Sabinus of Canosa in 1101. It was an example of Romanesque/Byzantine style. After the earthquake of 1851, the cathedral was severely damaged and the restoration work led to the reconstruction of the facade. Placed in the centre of the apsis is the Bishop´s thone ("cathedra"), another medieval masterwork. It was created by Master Romualdus for Bishop Ursus, the last Archbishop of Canosa, who was murdered in 1089. Th cathedra is to large to be "comfortable" and the front plate with the eagles was probably added later. When Bishop Ursus comissioned it, the diocese of Bari was slowly "overtaking" the older one in Canosa. So later this the large cathedra became a kind of episcopal power symbol, as the bishop did not reside here any more, but in Bari.

Legends tell, that the Homeric hero Diomedes founded "Canusion", the town existed already in early Etrscian times and later became a Greek polis. In Roman times it was a colony and had a large amphitheatre. End of the 3rd century it was the capital of Apulia and Calabria. Bishops are known here already in the 4th century, when one of them took part in a Council. The area suffered from Muslim invasions and got completely destroyed in 844. Rebuilding took place a century later, It was under Lombardian rule until the Norman conquest and the establishement of the Kingdom of Sicily. Under Bohemund I of Antioch (+ 1111), son of Robert Guiscard, it regained some of its earlier importance. The Cathedral of San Sabino was founded in the 8th century by the Lombards. When it was comleted in 1101 it was named after St. Sabinus of Canosa in 1101. It was an example of Romanesque/Byzantine style. After the earthquake of 1851, the cathedral was severely damaged and the restoration work led to the reconstruction of the facade. Placed in the centre of the apsis is the Bishop´s thone ("cathedra"), another medieval masterwork. It was created by Master Romualdus for Bishop Ursus, the last Archbishop of Canosa, who was murdered in 1089. Th cathedra is to large to be "comfortable" and the front plate with the eagles was probably added later. When Bishop Ursus comissioned it, the diocese of Bari was slowly "overtaking" the older one in Canosa. So later this the large cathedra became a kind of episcopal power symbol, as the bishop did not reside here any more, but in Bari.

Legends tell, that the Homeric hero Diomedes founded "Canusion", the town existed already in early Etrscian times and later became a Greek polis. In Roman times it was a colony and had a large amphitheatre. End of the 3rd century it was the capital of Apulia and Calabria. Bishops are known here already in the 4th century, when one of them took part in a Council. The area suffered from Muslim invasions and got completely destroyed in 844. Rebuilding took place a century later, It was under Lombardian rule until the Norman conquest and the establishement of the Kingdom of Sicily. Under Bohemund I of Antioch (+ 1111), son of Robert Guiscard, it regained some of its earlier importance. The Cathedral of San Sabino was founded in the 8th century by the Lombards. When it was comleted in 1101 it was named after St. Sabinus of Canosa in 1101. It was an example of Romanesque/Byzantine style. After the earthquake of 1851, the cathedral was severely damaged and the restoration work led to the reconstruction of the facade. Placed in the centre of the apsis is the Bishop´s thone ("cathedra"), another medieval masterwork. It was created by Master Romualdus for Bishop Ursus, the last Archbishop of Canosa, who was murdered in 1089. Romualdus´ style is strongly influenced by Byzantine works. Th cathedra is to large to be "comfortable" and the front plate with the eagles was probably added later. When Bishop Ursus comissioned it, the diocese of Bari was slowly "overtaking" the older one in Canosa. So later this the large cathedra became a kind of episcopal power symbol, as the bishop did not reside here any more, but in Bari.

Legends tell, that the Homeric hero Diomedes founded "Canusion", the town existed already in early Etrscian times and later became a Greek polis. In Roman times it was a colony and had a large amphitheatre. End of the 3rd century it was the capital of Apulia and Calabria. Bishops are known here already in the 4th century, when one of them took part in a Council. The area suffered from Muslim invasions and got completely destroyed in 844. Rebuilding took place a century later, It was under Lombardian rule until the Norman conquest and the establishement of the Kingdom of Sicily. Under Bohemund I of Antioch (+ 1111), son of Robert Guiscard, it regained some of its earlier importance. The Cathedral of San Sabino was founded in the 8th century by the Lombards. When it was comleted in 1101 it was named after St. Sabinus of Canosa in 1101. It was an example of Romanesque/Byzantine style. After the earthquake of 1851, the cathedral was severely damaged and the restoration work led to the reconstruction of the facade. Placed in the centre of the apsis is the Bishop´s thone ("cathedra"), another medieval masterwork. It was created by Master Romualdus for Bishop Ursus, the last Archbishop of Canosa, who was murdered in 1089. Romualdus´ style is strongly influenced by Byzantine works. Th cathedra is to large to be "comfortable" and the front plate with the eagles was probably added later. When Bishop Ursus comissioned it, the diocese of Bari was slowly "overtaking" the older one in Canosa. So later this the large cathedra became a kind of episcopal power symbol, as the bishop did not reside here any more, but in Bari.

Ruvo di Puglia, founded probably by Greek settlers, was a "municipium" in Roman times. After the fall of the Western Roman Empire, it got destroyed by Visigothic troops in the 5th centuryand later again by the Lombards. It was then Byzantine and later under Saracen and the Norman power. The Ruvo Cathedral, once the episcopal seat of the Diocese of Ruvo, is now a co-cathedral in the Diocese of Molfetta-Ruvo-Giovinazzo-Terlizzi. It was built over a previous church and is an important example of late Apulian Romanesque architecture, built between the 12th and 13th centuries. The current exterior is the result of early 20th-century restoration works which removed the Baroque additions. During the restorations some carvings may not have been restored, but replaced. This elephant looks - well - fresh and more than that it is anatomically perfect. So it may well be an "improved" copy of a medieval predecessor.

Bari was an early settlement and passed under Roman rule in the 3rd century BC. It developed strategic significance as the point of junction between the coast road and the Via Traiana and as a port for eastward trade. The first bishop of Bari was Gervasius who is known from the Council of Sardica in 347. After the decline of the Roman Empire, the town was devasted and taken by Alaric´s Visigothic troops, then was under Lombardian rule, before the Byzantines took over. In 755 it was conquered by Pepin the Short (Charlemagne´s father) and from 847 on it was an Islamic Emirate. The Byzantine fleet returned in 871 and since 885 Bari ws the residence of the local Byzantine governor. Following a three-year siege, Bari was captured by Robert Guiscard in 1071. After the relics of Saint Nicholas, which were surreptitiously brought from Myra in Lycia (Byzantine territory), arrived in Bari, the Basilica di San Nicola was founded in 1087. This attracted pilgrims, whose encouragement and care became central to the economy of Bari. Pope Urban II consecrated the Basilica in 1089. In 1096 a crusader army embarked in the port of Bari for the First Crusade. After the murder of archbishop Griso in 1117 a civil war broke our and the control was seized by Grimoald Alferanites, a native Lombard, in opposition to the Normans. He later did homage to Roger II of Sicily, but rebelled and was defeated in 1132. The Castello Normanno-Svevo (aka "Castello di Bari") was probably built around 1132 by Norman King Roger II. When in 1155 the Baresi rebelled against the Normans, the castle got destroyed, so as a retaliatory action, William I of Sicily (aka William the Wicked") had the city destroyed except for the cathedral and the Basilica of St. Nicola. Bari recovered and had its heydays under Frederick II. When he returned from his crusade after 1229, the city gates were locked so he had to use force to gain entry. Therefore, he probably had the fort built in 1233 to keep the city in check. On the other hand, he granted the city generous trade privileges and left it the leading role in the region. - The construction of the "Cattedrale di San Sabino" (aka "Bari Cathedral" started around 1170 on. The cathedral is the seat of the Archbishop of Bari-Bitonto. It is dedicated to Saint Sabinus, a bishop of Canosa, whose relics were brought here in the 9th century. It was erected on the site of the ruins of the Imperial Byzantine cathedral, destroyed in 1156 by William I of Sicily with the rest of the city. For the reconstruction of the cathedral materials from the preceding church and other destroyed buildings got reused. During the 18th century the façade, the nave and aisles and the crypt were refurbished in Baroque style. The building later underwent a series of refurbishments, demolitions and extensions. The original Romanesque appearance of the interior was restored in the 1950s. Two elephants watch the sunset at the apse window. Since hundreds of years.

Bari was an early settlement and passed under Roman rule in the 3rd century BC. It developed strategic significance as the point of junction between the coast road and the Via Traiana and as a port for eastward trade. The first bishop of Bari was Gervasius who is known from the Council of Sardica in 347. After the decline of the Roman Empire, the town was devasted and taken by Alaric´s Visigothic troops, then was under Lombardian rule, before the Byzantines took over. In 755 it was conquered by Pepin the Short (Charlemagne´s father) and from 847 on it was an Islamic Emirate. The Byzantine fleet returned in 871 and since 885 Bari ws the residence of the local Byzantine governor. Following a three-year siege, Bari was captured by Robert Guiscard in 1071. After the relics of Saint Nicholas, which were surreptitiously brought from Myra in Lycia (Byzantine territory), arrived in Bari, the Basilica di San Nicola was founded in 1087. This attracted pilgrims, whose encouragement and care became central to the economy of Bari. Pope Urban II consecrated the Basilica in 1089. In 1096 a crusader army embarked in the port of Bari for the First Crusade. After the murder of archbishop Griso in 1117 a civil war broke our and the control was seized by Grimoald Alferanites, a native Lombard, in opposition to the Normans. He later did homage to Roger II of Sicily, but rebelled and was defeated in 1132. The Castello Normanno-Svevo (aka "Castello di Bari") was probably built around 1132 by Norman King Roger II. When in 1155 the Baresi rebelled against the Normans, the castle got destroyed, so as a retaliatory action, William I of Sicily (aka William the Wicked") had the city destroyed except for the cathedral and the Basilica of St. Nicola. Bari recovered and had its heydays under Frederick II. When he returned from his crusade after 1229, the city gates were locked so he had to use force to gain entry. Therefore, he probably had the fort built in 1233 to keep the city in check. On the other hand, he granted the city generous trade privileges and left it the leading role in the region. - The construction of the "Cattedrale di San Sabino" (aka "Bari Cathedral" started around 1170 on. The cathedral is the seat of the Archbishop of Bari-Bitonto. It is dedicated to Saint Sabinus, a bishop of Canosa, whose relics were brought here in the 9th century. It was erected on the site of the ruins of the Imperial Byzantine cathedral, destroyed in 1156 by William I of Sicily with the rest of the city. For the reconstruction of the cathedral materials from the preceding church and other destroyed buildings got reused. During the 18th century the façade, the nave and aisles and the crypt were refurbished in Baroque style. The building later underwent a series of refurbishments, demolitions and extensions. The apse window is a masterpiece of the Apulian Romanesque style of the late 12th century. Below the window sill is a relief depicting two peacocks within tendrils. To the left end right, supporting the columns are two elephants. They are rather small. Pina Belli D'Elia ("Puglia Romanica") compares them to chess pieces. On top of the columns are two monsters (a male and a female) with human faces, wings, claws and snake tails. They support the outer archivolt. On top of this is another monster that may be a beheaded sphinx holding its head, mouth wide open. The smaller inner archivolts are masterly carved and are populated with lots of animals and mythical creatures floating in vines.

Bari was an early settlement and passed under Roman rule in the 3rd century BC. It developed strategic significance as the point of junction between the coast road and the Via Traiana and as a port for eastward trade. The first bishop of Bari was Gervasius who is known from the Council of Sardica in 347. After the decline of the Roman Empire, the town was devasted and taken by Alaric´s Visigothic troops, then was under Lombardian rule, before the Byzantines took over. In 755 it was conquered by Pepin the Short (Charlemagne´s father) and from 847 on it was an Islamic Emirate. The Byzantine fleet returned in 871 and since 885 Bari was the residence of the local Byzantine governor. Following a three-year siege, Bari was captured by Robert Guiscard in 1071. After the relics of Saint Nicholas, which were brought from Myra in Lycia, arrived in Bari, the Basilica di San Nicola was founded in 1087. This attracted pilgrims, whose encouragement and care became central to the economy of Bari. After the murder of archbishop Griso in 1117 a civil war broke our and the control was seized by Grimoald Alferanites, a native Lombard, in opposition to the Normans. He later did homage to Roger II of Sicily, but rebelled and was defeated in 1132. The Castello Normanno-Svevo (aka "Castello di Bari") was probably built around 1132 by Norman King Roger II. When in 1155 the Baresi rebelled against the Normans, the castle got destroyed, so as a retaliatory action, William I of Sicily (aka "William the Wicked") had the city destroyed except for the cathedral and the Basilica of St. Nicola. Bari recovered and had its heydays under Frederick II. When he returned from his crusade after 1229, the city gates were locked so he had to use force to gain entry. Therefore, he probably had the fort built in 1233 to keep the city in check. On the other hand, he granted the city generous trade privileges and left it the leading role in the region. - The most important day in Bari´s medieval history was May 09. 1087. At that day seamen sailed into the harbour, carrying the remains of Saint Nicholas. They had stolen (or recovered) them from the saint’s original shrine in Myra, and following the legend, the saint, passing by the city on his way to Rome, had chosen Bari as his burial place. So the basilica was built between 1087 and 1197 on the area previously occupied by the Byzantine Catapan. The whole cathedral was constructed as a shrine. The crypt got consecrated in 1089 in presence of Pope Urban II. The Basilica di San Nicola clearly influenced the Romanesque style in Southern Italy. It still is a place of pilgrimage for Catholic and Orthodox Christians. Frederick II called the basilica "nostra specialis capella" and for the House of Anjou it was a "basilica palatina". The main portal of the western facade. It may have been planned to erect a narthex, but that was never completed. On the back of an elephant is a flower pot from which a tree of life (?) grows all around the door.

Bari was an early settlement and passed under Roman rule in the 3rd century BC. It developed strategic significance as the point of junction between the coast road and the Via Traiana and as a port for eastward trade. The first bishop of Bari was Gervasius who is known from the Council of Sardica in 347. After the decline of the Roman Empire, the town was devasted and taken by Alaric´s Visigothic troops, then was under Lombardian rule, before the Byzantines took over. In 755 it was conquered by Pepin the Short (Charlemagne´s father) and from 847 on it was an Islamic Emirate. The Byzantine fleet returned in 871 and since 885 Bari was the residence of the local Byzantine governor. Following a three-year siege, Bari was captured by Robert Guiscard in 1071. After the relics of Saint Nicholas, which were brought from Myra in Lycia, arrived in Bari, the Basilica di San Nicola was founded in 1087. This attracted pilgrims, whose encouragement and care became central to the economy of Bari. After the murder of archbishop Griso in 1117 a civil war broke our and the control was seized by Grimoald Alferanites, a native Lombard, in opposition to the Normans. He later did homage to Roger II of Sicily, but rebelled and was defeated in 1132. The Castello Normanno-Svevo (aka "Castello di Bari") was probably built around 1132 by Norman King Roger II. When in 1155 the Baresi rebelled against the Normans, the castle got destroyed, so as a retaliatory action, William I of Sicily (aka "William the Wicked") had the city destroyed except for the cathedral and the Basilica of St. Nicola. Bari recovered and had its heydays under Frederick II. When he returned from his crusade after 1229, the city gates were locked so he had to use force to gain entry. Therefore, he probably had the fort built in 1233 to keep the city in check. On the other hand, he granted the city generous trade privileges and left it the leading role in the region. - The most important day in Bari´s medieval history was May 09. 1087. At that day seamen sailed into the harbour, carrying the remains of Saint Nicholas. They had stolen (or recovered) them from the saint’s original shrine in Myra, and following the legend, the saint, passing by the city on his way to Rome, had chosen Bari as his burial place. So the basilica was built between 1087 and 1197 on the area previously occupied by the Byzantine Catapan. The whole cathedral was constructed as a shrine. The crypt got consecrated in 1089 in presence of Pope Urban II. The Basilica di San Nicola clearly influenced the Romanesque style in Southern Italy. It still is a place of pilgrimage for Catholic and Orthodox Christians. Frederick II called the basilica "nostra specialis capella" and for the House of Anjou it was a "basilica palatina". The main portal of the western facade. It may have been planned to erect a narthex, but that was never completed. On the back of an elephant is a flower pot from which a tree of life (?) grows all around the door. A closer look. The elephant is anatomically pretty precise. In Apulia, I found more "medieval elephants" than in any other area in Europe. Most of the Apulian elephants are pretty precise. Frederick II owned the "Cremona Elephant" in 1229, but the elephant seen here may have been carved before that year, as the basilica was consecrated in 1197. Or the carvings around the main portal were created, when Frederick II was in power here. The elephant may be a symbol of Emperor Frederick´s power.