Deposition from the Cross

Whatever is left from the priory Saint-Alpinien, dependent from the Abbey of Saint Martial in Limoges, that existed in Ruffec in the 12th century, is privat property today. The large church of the priory got heavily damaged and the only carving, that I found on the facade is this weathered "Descent from the Cross".

In the center of Le Douhet, a village just 12 kms north east of Saintes, is Saint Martial, a 12th century structure, that had to be stabilized by buttresses within the 15th century, when a steeple was built. The western facade is richly decorated with friezes and archivolts over the portal and the flanking blind arches. There are as well some remarkable corbels. Some of them are weathered, like this "Descent from the Cross". Joseph of Arimathea takes the body of Jesus down from the cross. A 13th century legend tells, that Joseph in his old age travelled to Glastonbury, where he buried the Holy Grail.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. The "Descent from the Cross" Joseph of Arimathea and Nicodemus taking Christ down from the cross.

Louis the Pious founded the bishopric of Hildesheim in 815. The settlement developed into a town and was granted market rights by King Otto III in 983. Craftsmen and merchants were attracted and the city developed into an important community. By 1167, Hildesheim was an almost completely walled market settlement. At the beginning of the 13th century, Hildesheim had about 5,000 inhabitants, and when Hildesheim received its city charter in 1249, it was one of the largest cities in northern Germany. The clergy ruled Hildesheim for four centuries before a town hall was built and the citizens gained influence and independence. In 1367, Hildesheim became a member of the Hanseatic League. But what is now called Hildesheim was various small "suburbs". After centuries of (sometimes armed) disputes, it was not until the end of the 16th century that a union was created and subsequently at least the inner wall was taken down Old and New Town. During the Thirty Years' War, Hildesheim was besieged and occupied several times. In 1813, after the Napoleonic Wars, the town became part of the Kingdom of Hanover, which was annexed by the Kingdom of Prussia as a province after the Austro-Prussian War in 1866. The air raids on Hildesheim in 1944/45 destroyed large parts of the city. Of the 1500 half-timbered houses, only 200 remained. 90 percent of the historic old town was destroyed in the firestorm. - Bishop Gunthar, who was in office in Hildesheim from 815 to 834 had a small basilica built. This served as the original cathedral. The next cathedral was built by Bishop Altfried in 872 as a cruciform three-aisled basilica with a two-story westwork. The building suffered severe fire damage in 1046. Bishop Hezilo built then incorporated the surviving walls into the new building using the foundation of the former basilica. Until the 14th century, further profound changes took place, but without deviating from the ground plan of the basilica. The side chapels date from the Gothic period. From 1840 to 1850, the original west building, which had fallen into disrepair, was replaced by a neo-Romanesque double tower front, which remained in place until 1945. During the air raids on Hildesheim in WWII, the cathedral was completely destroyed except for the west building, the southern nave arcades, and the outer walls. Only the crypt and the Laurentius Chapel from the 11th century were preserved. The cathedral was rebuilt in a simplified form between 1950 and 1960. The baroque elements were abandoned in favor of a form that took its cue from the early Romanesque style. - The "Dommuseum" is the "Schatzkammer" (treasury) of the cathedral. It is located in historic rooms off the southern transept of the Cathedral, the church of St Antonius and part of the cathedral cloisters. Deposition from the Cross, 12th century, Northern Italy

The church was built on the Hellweg, a main Medieval road connecting the free imperial town Dortmund with others. Historians suspect that the visits of Emperor Frederick I Barbarossa and his son Henry VI to the Imperial Palace in Dortmund led to the construction of the Marienkirche. It was erected between 1170 and 1200 to serve the town's council and jurisdiction. It is the oldest extant church in Dortmund's inner city. Around 1350, a choir in Gothic architecture was built. It served as a model for the Reinoldikirche, which was built opposite of the road. The church was destroyed in World War II, but rebuilt. The Berswordt Altar The paintings on the winged altarpiece date from before 1390 and depict the Annunciation to Mary on the exterior, while the interior depicts a Passion of Christ concentrated in three scenes. The name of the altarpiece goes back to the Berswordt family, whose coat of arms can be found in the corners. The left panel of the aktar depicts Jesus Carrying the Cross. Simon of Cyrene is forced to help him. While the soldiers' servants beat him forward, several women mourn him. The middle panel summarizes various episodes of Christ's crucifixion. It shows the collapse of Mary, supported by John. At the foot of the cross, demonic figures haggle over Jesus' robe. At the center of the middle panel is the cross with the dying Jesus, also depicting the lance thrust into his side. To the right and left of Jesus hang the thieves crucified with him. The soul of the repentant one is taken by an angel, that of the hardened one by a devil. The right panel depicts the Deposition from the Cross. The action is limited to a few people, unlike the abundance of scenes in the central image. Joseph of Arimathea holds the body of Jesus in his arms, while others remove the nails from his feet with pliers and detach his left arm from the cross. The painter unknown by name; he is referred to by the name "Master of the Berswordt Retable". It has been suggested that the altarpiece is an early work by Conrad von Soest, however, this is disputed.

The Hôtel de Cluny was built in the late 15th century on the site of an older building constructed after the Abbey of Cluny acquired the ancient Roman baths in 1340. The manor house was rebuilt under Jacques d’Amboise, Abbot Commander of Cluny (1485–1510). In the 18th century, the tower of the Hôtel de Cluny served as an observatory for the astronomers Joseph-Nicolas Delisle, Jérôme Lalande, and Charles Messier. During the French Revolution in 1789, the manor house was confiscated. In 1832, the archaeologist and art collector Alexandre Du Sommerard acquired the Hôtel de Cluny and used it to display his extensive collection of medieval artifacts. After his death, the collection became the property of the French state. The building opened as a museum in 1843. The museum underwent a complete renovation over three years and reopened in 2022. Triptych known as the "Saint du Sulpice de Tarn Triptych" Ivory, Paris about 1300 lower register: Adoration of the Magi, Virgin and Child, Presentation at the Temple, upper register: Christ carrying the Cross, Crucifixion, Deposition from the Cross

San Bartolomé is the oldest church of Logroño. The construction dates back to the 12th century. Though it got altered largely in the 16th century, the Romanesque structure is still visible. During the time of "La Desamortización", when mid 19th century many monastic properties got sold, the church was used as a warehouse and workshop. It was even discussed to demolish the building. The porch was created in the 13th century. Below the large vignettes themed about Saint Bartholomew's life and death are small, very nice scenes. Here is a "Descent from the Cross". Joseph of Arimathea takes the body of Jesus down from the cross. A 13th century legend tells, that Joseph in his old age travelled to England and buried the Holy Grail in Glastonbury.

Romeno is a small village in the Val di Non. The small church, outside the village, is surrounded by orchards. It may date back to the 8th century, though it was mentioned first time in 1187. Soon after the interior walls of Santi Bartolomeo e Tommaso were adorned with murals. Some of the frescoes (dated to 1210) still exist. The Descent from the Cross. The person to the left could be Mary Magdalene, Joseph of Arimathea (or Nicodemus) holds the body (near the chest), followed by John the Apostle and Mary. Matthew 27:57-58 "As evening approached, there came a rich man from Arimathea, named Joseph, who had himself become a disciple of Jesus. Going to Pilate, he asked for Jesus’ body, and Pilate ordered that it be given to him." John 19:38-39 "Later, Joseph of Arimathea asked Pilate for the body of Jesus. Now Joseph was a disciple of Jesus, but secretly because he feared the Jewish leaders. With Pilate’s permission, he came and took the body away. He was accompanied by Nicodemus, the man who earlier had visited Jesus at night.."

Legends tell, that in 490, 492 and 493 the archangel Michael appeared to a shepherd and a bishop in front of a grotto. Archangel Michael instructing them to convert that cave into a Christian church. This grotto became the site of many pilgrimages since the early Middle Ages. It is said, that this is the oldest shrine in Western Europe When the Lombards successfully conquered southern Italy end of the 6th century, King Grimoald in 662 passed on the region to his son, Romuald I, who renovated the sanctuary and encouraged its use as a pilgrimage site. It got very popular for pilgrims on their way to Jerusalem and as well for pilgrims who had followed the Via Francigena to Rome and then continued to the grotto. Many Popes have been here, but as well Bridget of Sweden, Bernard of Clairvaux, Thomas Aquinas, Matilda of Tuscany, Otto III... Only about 100 meters south of the sanctuary is a complex of (once) three interconnected and partially nested buildings. The apse of the Church of San Pietro, the Church of Santa Maria Maggiore and the "Tomba di Rotari" (aka "San Giovanni Battista in Tomba"). It was believed, that this was the mausoleum of the Lombardian King Rothari, but that was a misinterpretation. The consent now, is, that the 12th structure was a baptistery, dedicated to John the Baptist. The small portal has an extraordinary very complex tympanum. The upper part is centred around the "Descent from the Cross". Joseph of Arimathea holds large pliers.