Early glasses

Shown on the right side of the facade is "Saint Jerome" (Hieronymus, 347-420), who translated the Bible into Latin ("Vulgate"). His attributes are the lion and the skull. Here he is wearing glasses! Pretty modern for a carving from around 1550.

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the "Danse Macabre" fresco, dated ~ 1450. In three panels 23 living persons, representing the medieval society, are invited to "dance" the invitation to death with the skeletons around them. The artistic from of the "Dance of the Death" arose from the calamities of the 13th and 14th century. The plague, named "Black Death", forced so many people into this dance. The monk wears a pair of glasses! Pretty early!

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the tapestries, once woven to embellish the monks´ choir. They were commissioned by Jacques de Saint-Nectaire and were woven by a Flemish workshop between 1501 and 1518. The collection includes 14 tapestries of which two are different and may have been ordered by the abbot for his personal use. The 12 other tapestries constitute a complete continuation of the Annunciation to the Last Judgment. An inventory prior to the Revolution mentions 18 tapestries, so four tapestries have therefore disappeared. The tapestries were only exhibited during major liturgical feasts. They were rolled up and kept during the troubles during the Wars of Religion and the Revolution. In 2013 the tapestries were removed. They got restored and returned to the abbey in July 2019. I was lucky to see them in August 2019. In the center - Jesus sold by Judas - Matthew 26:14 -15 "Then one of the Twelve—the one called Judas Iscariot—went to the chief priests and asked, “What are you willing to give me if I deliver him over to you?” So they counted out for him thirty pieces of silver." Left - Joseph sold by his brothers - Genesis 37:28 "So when the Midianite merchants came by, his brothers pulled Joseph up out of the cistern and sold him for twenty shekels of silver to the Ishmaelites, who took him to Egypt." Right - Samson sold by Delilah - Judges 16:4 - 5 "Some time later, he fell in love with a woman in the Valley of Sorek whose name was Delilah. The rulers of the Philistines went to her and said, “See if you can lure him into showing you the secret of his great strength and how we can overpower him so we may tie him up and subdue him. Each one of us will give you eleven hundred shekels of silver.”

In the 7th/8th century, the area was reconquered from the hands of the Moors by the kings of Asturias. A castle was built in 884 on the orders of King Alfonso III. Burgos became the coronation city of the kings of Castile in the 11th century, which underlines its special importance. After the conquest of Toledo by Alfonso VI. (1085). The city became the see of a Diocese and was a major stop for pilgrims to Santiago de Compostela. Burgos lost its importance a little, but the city remained an important economic, cultural, and political center in northern Spain. The Convento de San Pablo was a Dominican monastery founded in 1224 that existed until 1835. The construction of the cathedral was ordered by King Ferdinand III of Castile and the Bishop of Burgos. Ferdinand had just married Barbarossa´s granddaughter Beatrice of Swabia (aka "Elisabeth of Swabia") and wanted a cathedral, reflecting his new role in the European power game. The former Romanesque cathedral was demolished in 1221, and the construction of the new Gothic started under the guidance of a French architect. After nine years, the chevet was completed and the high altar was consecrated. Then the construction stopped for about 200 years. Attending the Council of Basel (aka "Council of Florence") in 1435 bishop Alfonso de Cartagena saw the elegant towers of the Basel Minster. When he returned to Burgos he was accompanied by German architect Johannes von Köln (aka "Juan de Colonia"), who probably knew the blueprints of the towers, planned for the Cathedral of Cologne. Under his guidance, the towers of the Cathedral were completed in open tracery. He was followed on the construction site by his son Simon de Colonia. Francisco de Colonia, Simon's son, continued the work and created the Pellejería-Portal. This was a family business. As I have uploaded many photos of the cathedral before, I will only add a few for now. The choir is surrounded by numerous chapels. The Gothic altar in the chapel of St. Ana shows, among others, St. Jerome (with glasses) and his lion.

The Romans conquered the place in 57 BC. BC and expanded it into a walled city. The city gained importance because it was at the intersection of several important transport routes. During the barbarian invasions, Évora came under the rule of the Visigothic king Leovigild in 584. In 715, the city was conquered by the Moors. During the Moorish rule (715–1165), the town slowly began to prosper again and developed into an agricultural center with a fortress and a mosque. Évora was wrested from the Moors through an attack by Geraldo Sem Pavor ("Gerald the Fearless") in 1165. The town came under the rule of the Portuguese king Afonso I in 1166. It then flourished during the Middle Ages, especially in the 15th century. The official name of the museum is “Museo Nacional Fray Manuel del Cenáculo”. It is located in the old bishop's palace. Follower of Marinus van Reymerswaele (1490 - 1567) Saint Jerome on meditation, 2nd half 16th century