Gothic Portals and Tympana

The gothic tympanum still has some of the original colours. The adoration of the magi, wise men coming from the east. The left one is still talking to Herod, who sits on his throne in a very relaxed way, while the right one is already kneeling in Bethlehem, offering gold, mhyrr or incense.

Late afternoon sun in Bourges. The "Cathédrale Saint-Étienne de Bourges" was erected as a replacement for a 11th-century structure. The construction started probably in the last quarter of the 12th century, around the same time, when the builders and bricklayers started in Chartres. The choir of the cathedral was in use by 1214, the nave was finished 1255. The cathedral was consecrated in 1324. The western facade was finished by 1270. It is very wide, as the four side aisles and central nave each have their own portal. This is the central-portal, the largest and most ornate and sophisticated. The tympanum carries scenes related to the Last Judgement, a popular theme already on Romanesque churches (eg Conques, Autun, Moissac, Sangüesa). Here it is composed over three "levels" and carved in a delicate Gothic style. Since 1992 the cathedral is a "UNESCO World Heritage Site". Pilgrims, following the Via Lemovicenis, have been here already in the early times.

Late afternoon sun in Bourges. The "Cathédrale Saint-Étienne de Bourges" was erected as a replacement for a 11th-century structure. The construction started probably in the last quarter of the 12th century, around the same time, when the builders and bricklayers started in Chartres. The choir of the cathedral was in use by 1214, the nave was finished 1255. The cathedral was consecrated in 1324. The western facade was finished by 1270. It is very wide (42m), as the four side aisles and central nave each have their own portal. This is the tympanum of the center-portal, the largest and most ornate and sophisticated one. The "Last Judgment", a popular theme already on Romanesque churches (eg Conques, Autun, Moissac, Sangüesa) is seen on the tympanum in a delicate Gothic style. Seen here are three levels. At the bottom souls arise from the open the graves. They all look young and healthy. Above Archangel Michael holds a scale. This is a Psychostasia, the "Weighing of the Souls". While the souls left of Saint Michael are escorted by angels, the souls to the right are tortured by devils. Above all Christ enthroned and flanked by angels. The angels show the "Arma Christi", the "Instruments of Passion". Since 1992 the cathedral is a "UNESCO World Heritage Site".

Late afternoon sun in Bourges. The "Cathédrale Saint-Étienne de Bourges" was erected as a replacement for a 11th-century structure. The construction started probably in the last quarter of the 12th century, around the same time, when the builders and bricklayers started in Chartres. The choir of the cathedral was in use by 1214, the nave was finished 1255. The cathedral was consecrated in 1324. The western facade was finished by 1270. It is very wide (42m), as the four side aisles and central nave each have their own portal. This is the tympanum of the center-portal, the largest and most ornate and sophisticated one. The "Last Judgment", a popular theme already on Romanesque churches (eg Conques, Autun, Moissac, Sangüesa) is seen on the tympanum in a delicate Gothic style. Seen here are three levels. At the bottom souls arise from the open the graves. They all look young and healthy. Above Archangel Michael holds a scale. This is a Psychostasia, the "Weighing of the Souls". While the souls left of Saint Michael are escorted by angels, the souls to the right are tortured by devils. Above all Christ enthroned and flanked by angels. There are a lot of astonishing (and explicit!) details to be seen on the "Highway to Hell" (AC/DC), so I will upload some of them next. Since 1992 the cathedral is a "UNESCO World Heritage Site".

The construction of the cathedral was ordered by King Ferdinand III of Castile and Mauricio, the Bishop of Burgos. Ferdinand had just married Barbarossa´s granddaughter Beatrice of Swabia (aka "Elisabeth of Swabia") and wanted a cathedral, reflecting his new role in the European power game. The former Romanesque cathedral got demolished and on July 20, 1221, the construction of the new Gothic started under the guidance of an unknown French architect. After nine years, the chevet was completed and the high altar was consecrated. Then the construction stopped for about 200 years. Attending the Council of Basel (aka "Council of Florence") in 1435 bishop (and diplomat) Alfonso de Cartagena saw the just completed, elegant towers of the Basel Minster. When he returned to Burgos he was accompanied by German architect Johannes von Köln (aka "Juan de Colonia"), who probably knew the blueprints of the towers, planned for the Cathedral of Cologne. Under his guidance the towers of the Cathedral were completed in open tracery. He was followed on the construction site by his son Simon de Colonia. The "Puerta del Sarmental" This portal is the south transept portal, named after an important family in Burgos. It is about a decade older than the "Portada de la Coroneria" (previous uploads).

The construction of the cathedral was ordered by King Ferdinand III of Castile and Mauricio, the Bishop of Burgos. Ferdinand had just married Barbarossa´s granddaughter Beatrice of Swabia (aka "Elisabeth of Swabia") and wanted a cathedral, reflecting his new role in the European power game. The former Romanesque cathedral got demolished and on July 20, 1221, the construction of the new Gothic started under the guidance of an unknown French architect. After nine years, the chevet was completed and the high altar was consecrated. Then the construction stopped for about 200 years. Attending the Council of Basel (aka "Council of Florence") in 1435 bishop (and diplomat) Alfonso de Cartagena saw the just completed, elegant towers of the Basel Minster. When he returned to Burgos he was accompanied by German architect Johannes von Köln (aka "Juan de Colonia"), who probably knew the blueprints of the towers, planned for the Cathedral of Cologne. Under his guidance the towers of the Cathedral were completed in open tracery. He was followed on the construction site by his son Simon de Colonia. The "Puerta del Sarmental" This portal is the south transept portal, named after an important family in Burgos. It is about a decade older than the "Portada de la Coroneria". Here is the tympanum of the portal. In the center Christ, seated on a throne, holding the Bible. Around Christ are the symbols of the Evangelists, they can actually be seen sitting on writing desks and working. Below are the 12 Apostles, all holding a bible. Angels (holding candles?) populate the inner archivolt, musicians the outer ones. The (24) Elders of the Apocalypse? Here are 29 crowned musicians. They play a variety of interesting instruments. The very left musician of the middle archivolt plays an organistrum. The seventh musician (from left) on the outer archivolt plays a small portative organ. A child operates the bellows.

The construction of the cathedral was ordered by King Ferdinand III of Castile and Mauricio, the Bishop of Burgos. Ferdinand had just married Barbarossa´s granddaughter Beatrice of Swabia (aka "Elisabeth of Swabia") and wanted a cathedral, reflecting his new role in the European power game. The former Romanesque cathedral got demolished and on July 20, 1221, the construction of the new Gothic started under the guidance of an unknown French architect. After nine years, the chevet was completed and the high altar was consecrated. Then the construction stopped for about 200 years. Attending the Council of Basel (aka "Council of Florence") in 1435 bishop (and diplomat) Alfonso de Cartagena saw the just completed, elegant towers of the Basel Minster. When he returned to Burgos he was accompanied by German architect Johannes von Köln (aka "Juan de Colonia"), who probably knew the blueprints of the towers, planned for the Cathedral of Cologne. Under his guidance the towers of the Cathedral were completed in open tracery. He was followed on the construction site by his son Simon de Colonia. Francisco de Colonia, Simon´s son, continued the work and created the Pellejería-Portal. This was a family business. The Magi can often be found along the "camino". The Magi had followed the star, just like the "pelerins" were following the Camino Frances, that runs through Burgos, on their way to Santiago de Compostela. When this tomb was created the heyday of pilgrimage had passed already.

There have been five cathedrals on this site. One was destroyed by Visigothic troops mid of the 8th century. The successive cathedral was burnt down by Vikings ("Danes") in 858. The carolingian structure that was erected within the next decades was burnt down in 962 by troops led by Richard I of Normandy (aka "Richard the Fearless", "Richard Sans-Peur"). The rebuilding started again, but whatever was completed got destroyed by a fire, caused accidently, in 1020. The erection of a Romanesque cathedral started and most of the still existing crypt dates back to that building. In 1134, another fire damaged the town and large parts of the cathedral. The towers got repaired and rebuilt and the portal between them got created. Another blaze hit the town in June 1194. The cathedral was burnt down. Construction works started the same year. The western towers and the undamaged western portal ("Portail Royal") got integrated into the new building. The nave was already vaulted in 1220, the transept and the stained windows were completed in 1260. On 24 October 1260, only 66 years after the start of construction, the Cathédrale Notre-Dame was consecrated in the presence of Louis IX of France (aka "Saint Louis", "le Prudhomme"). Since Charles the Bald, Louis the Pious´ son, had given the "Sancta Camisia" to the cathedral in 876. Because of this "Veil of the Virgin" Chartres developed into a very important Marian pilgrimage center in medieval times. The "Portail Royal" is part of the cathedral´s western façade. This portal survived the fire, that destroyed the preceding cathedral in 1194. The portal was carved by 1150, a visible transition from Romanesque to Gothic style.

There have been five cathedrals on this site. One was destroyed by Visigothic troops mid of the 8th century. The successive cathedral was burnt down by Vikings ("Danes") in 858. The carolingian structure that was erected within the next decades was burnt down in 962 by troops led by Richard I of Normandy (aka "Richard the Fearless", "Richard Sans-Peur"). The rebuilding started again, but whatever was completed got destroyed by a fire, caused accidently, in 1020. The erection of a Romanesque cathedral started and most of the still existing crypt dates back to that building. In 1134, another fire damaged the town and large parts of the cathedral. The towers got repaired and rebuilt and the portal between them got created. Another blaze hit the town in June 1194. The cathedral was burnt down. Construction works started the same year. The western towers and the undamaged western portal ("Portail Royal") got integrated into the new building. The nave was already vaulted in 1220, the transept and the stained windows were completed in 1260. On 24 October 1260, only 66 years after the start of construction, the Cathédrale Notre-Dame was consecrated in the presence of Louis IX of France (aka "Saint Louis", "le Prudhomme"). Since Charles the Bald, Louis the Pious´ son, had given the "Sancta Camisia" to the cathedral in 876. Because of this "Veil of the Virgin" Chartres developed into a very important Marian pilgrimage center in medieval times. The "Portail Royal" is part of the cathedral´s western façade. This portal survived the fire, that destroyed the preceding cathedral in 1194. The portal was carved by 1150, a visible transition from Romanesque to Gothic style. The central part of the "Portail Royal", seen here, depicts the Last Judgment. Christ, enthroned in a mandorla, surrounded by the symbols of the Four Evangelists. Christ raises his right hand in blessing and holds a bible in his left hand. The "Elders of the Apocalypse" populate the two outer archivolts. The jamb statues, flanking the doors, are clearly elongated and are very elegant. They depict kings, queens and figures from the Old Testament.

There have been five cathedrals on this site. One was destroyed by Visigothic troops mid of the 8th century. The successive cathedral was burnt down by Vikings ("Danes") in 858. The carolingian structure that was erected within the next decades was burnt down in 962 by troops led by Richard I of Normandy (aka "Richard the Fearless", "Richard Sans-Peur"). The rebuilding started again, but whatever was completed got destroyed by a fire, caused accidently, in 1020. The erection of a Romanesque cathedral started and most of the still existing crypt dates back to that building. In 1134, another fire damaged the town and large parts of the cathedral. The towers got repaired and rebuilt and the portal between them got created. Another blaze hit the town in June 1194. The cathedral was burnt down. Construction works started the same year. The western towers and the undamaged western portal ("Portail Royal") got integrated into the new building. The nave was already vaulted in 1220, the transept and the stained windows were completed in 1260. On 24 October 1260, only 66 years after the start of construction, the Cathédrale Notre-Dame was consecrated in the presence of Louis IX of France (aka "Saint Louis", "le Prudhomme"). Since Charles the Bald, Louis the Pious´ son, had given the "Sancta Camisia" to the cathedral in 876. Because of this "Veil of the Virgin" Chartres developed into a very important Marian pilgrimage center in medieval times. The "Portail Royal" is part of the cathedral´s western façade. This portal survived the fire, that destroyed the preceding cathedral in 1194. The portal was carved by 1150, a visible transition from Romanesque to Gothic style. The left portal of the "Portail Royal" is seen here. The tympanum shows Christ standing on a cloud, supported by two angels. This is probably a depiction of the Ascension of Christ. On the archivolts are zodiacs and the Labors of the months.

There have been five cathedrals on this site. One was destroyed by Visigothic troops mid of the 8th century. The successive cathedral was burnt down by Vikings ("Danes") in 858. The carolingian structure that was erected within the next decades was burnt down in 962 by troops led by Richard I of Normandy (aka "Richard the Fearless", "Richard Sans-Peur"). The rebuilding started again, but whatever was completed got destroyed by a fire, caused accidently, in 1020. The erection of a Romanesque cathedral started and most of the still existing crypt dates back to that building. In 1134, another fire damaged the town and large parts of the cathedral. The towers got repaired and rebuilt and the portal between them got created. Another blaze hit the town in June 1194. The cathedral was burnt down. Construction works started the same year. The western towers and the undamaged western portal ("Portail Royal") got integrated into the new building. The nave was already vaulted in 1220, the transept and the stained windows were completed in 1260. On 24 October 1260, only 66 years after the start of construction, the Cathédrale Notre-Dame was consecrated in the presence of Louis IX of France (aka "Saint Louis", "le Prudhomme"). Since Charles the Bald, Louis the Pious´ son, had given the "Sancta Camisia" to the cathedral in 876. Because of this "Veil of the Virgin" Chartres developed into a very important Marian pilgrimage center in medieval times. The "Portail Royal" is part of the cathedral´s western façade. This portal survived the fire, that destroyed the preceding cathedral in 1194. The portal was carved by 1150, a visible transition from Romanesque to Gothic style. The upper part of the Royal Portal´s left portal is seen here. The tympanum shows Christ standing on a cloud, supported by two angels. This is probably a depiction of the Ascension of Christ. Witnesses watch the scene from the lintel below. On the archivolts are zodiacs and the Labors of the months.

There have been five cathedrals on this site. One was destroyed by Visigothic troops mid of the 8th century. The successive cathedral was burnt down by Vikings ("Danes") in 858. The carolingian structure that was erected within the next decades was burnt down in 962 by troops led by Richard I of Normandy (aka "Richard the Fearless", "Richard Sans-Peur"). The rebuilding started again, but whatever was completed got destroyed by a fire, caused accidently, in 1020. The erection of a Romanesque cathedral started and most of the still existing crypt dates back to that building. In 1134, another fire damaged the town and large parts of the cathedral. The towers got repaired and rebuilt and the portal between them got created. Another blaze hit the town in June 1194. The cathedral was burnt down. Construction works started the same year. The western towers and the undamaged western portal ("Portail Royal") got integrated into the new building. The nave was already vaulted in 1220, the transept and the stained windows were completed in 1260. On 24 October 1260, only 66 years after the start of construction, the Cathédrale Notre-Dame was consecrated in the presence of Louis IX of France (aka "Saint Louis", "le Prudhomme"). Since Charles the Bald, Louis the Pious´ son, had given the "Sancta Camisia" to the cathedral in 876. Because of this "Veil of the Virgin" Chartres developed into a very important Marian pilgrimage center in medieval times. The "Portail Royal" is part of the cathedral´s western façade. This portal survived the fire, that destroyed the preceding cathedral in 1194. The portal was carved by 1150, a visible transition from Romanesque to Gothic style. The upper part of the Royal Portal´s right portal is seen here. This portal is the entrance for thousands of visitors every day. The lintel is carved in two registers. The lower one depicts (from left to right) the Annunciation, the Visitation, the Nativity (ox and ass have lost their heads), the Adoration to the Shepherds. The Presentation in the Temple is seen on the upper register. The tympanum is seen as a "Sedes Sapientiae", Virgin and Child enthroned, flanked by two censing angels. The archivolts, surrounding the tympanum, are carved with personifications of the Seven Liberal Arts. "Music" (inner archivolt, right side) holds vielle and organum and plays a carillon.

Early sunday morning. Heavy rain is pouring down. This cathedral was formerly the seat of the Bishopric of Senlis, abolished in 1801, when its territory was passed to the Diocese of Beauvais. The cathedral was erected between 1153 and 1191. Seen here is the west portal ("Portail de la Vierge"), carved around 1170. The trumeau, depicting the first bishop Saint-Rieul, got lost. This portal marks not only a dramatic stylistic change, here even the "subject" changed. The portal centers around the "Coronation of the Virgin". Most existing large Romanesque and even early Gothic tympana centered so far around the "Last Judgement". This is one of the earliest (if not the earliest) monumental sculptural representations the Virgin´s Coronation.

The cathedral was erected between 1153 and 1191. Seen here is the west portal ("Portail de la Vierge"), carved around 1170. This portal marks not only a dramatic stylistic change, here even the "subject" changed. The portal centers around the "Coronation of the Virgin". Most existing large Romanesque and even early Gothic tympana centered so far around the "Last Judgement". This is one of the earliest (if not the earliest) monumental sculptural representations the Virgin´s Coronation.

The Sainte-Chapelle ("Holy Chapel") was part of the Palais de la Cité, residence of the French Royals between 10th and 14th century. The chapel was built, to house Louis IX's vast collection of relics, including the Crown of Thorns, the Image of Edessa and the point of the "Holy Lance" - and many more prominent relics. Saint Louis (aka Louis IX) had purchased the "Passion Relics" from Baldwin II, unfortunate emperor of the Latin Empire of Constantinople, for 135,000 livres. The money was actually paid to the Venetians, to whom the relics had been pawned. Begun around 1239 and consecrated in 1248, the Sainte-Chapelle is considered among the highest achievements of the Gothic architecture. A fire damaged the chapel 1630, that got restored after that. The chapel suffered its most grievous destruction during the French Revolution, when the steeple got removed and many of the precious reliquaries were melted down. Later the revolutionists tried to sell the ruined building. It was even discussed to knock it down. Reconstruction and restoration was done in the 1840s/1850s. The chapel has two floors, both have a portal. Seen here is the larger one. "The Last Judgement" is a "traditional" theme for 1240. The graves open, a psychostasia in the center between them. The hell is to the right, the heaven to the left. Christ, seated on a throne, flanked by two angels, who held the Crown of Thorns, the "Holy Lance" and the "True Cross". sainte-chapelle.monuments-nationaux.fr/

Sélestat was probably not more than a village when Charlemagne stayed here over Christmas 775. Nowadays Sélestat claims to be the place of origin of the christmas-tree, based on an invoice from 1521. St. George's Church has always served as the main parish church. Its construction started on the remains of a Carolingian chapel soon after 1200 and was completed at the beginning of the 15th century. Its design is pure Gothic. The choir, the last part to be completed, is the most remarkable element. The construction of the tower continued during the fifteenth century, The church had a rood screen by Conrad Sifer but was destroyed during the French Revolution.

The town's origins date back to the 10th century when the Benedictine Abbey of St Michel was founded on the banks of the Tarn. Located on the Way of St. James, the abbey existed until the French Revolution. The city itself benefited from its favorable location: the trade route from the Rouergue to Toulouse crossed the navigable Tarn here, which in turn formed the most important trade route to Bordeaux on the Atlantic coast. Viticulture and the cultivation of woad also contributed to the prosperity of Gaillac. The Hundred Years' War and then the Black Death epidemic ruined Gaillac: it lost half its population and the wine trade ceased. These disasters were not the last, however, because between 1562 and 1572 , during the Wars of Religion , the city saw repeated fighting between Catholics and Protestants. The Catholics were chased out of the town by Protestants. After their return and the St. Bartholomew's Day massacre on 24 August 1572, in Paris, the Catholic Gaillacois massacred 74 out of the 90 Huguenots in the town. Gaillac is mainly known for its wine "Gaillac AOC". The region makes claims to be among the earliest viticultural centers of ancient Gaul, though possibly after those of Languedoc around Narbonne. Roman merchants transported wine to Bordeaux and Northern Europe down the Tarn. A church dedicated to Saint-Pierre already existed in 972, when the Bishop of Albi donated it to the new Abbey of Saint-Michel de Gaillac. It then returned fairly quickly to the dependency of the bishops of Albi. In 1185 Bishop Guillaume V de Pierre donated to the commandant of the hospital. The residents of Gaillac took care of the equipment of the hospital. The church was rebuilt in the Gothic style from 1271 on, retaining some Romanesque elements. This work ended around 1330 with the construction of the nave and the installation of a western portal. During the Wars of Religion in 1562, the Protestants occupied and used the church for a time. After the massacre of the Huguenots the Protestant troops managed to conquer Gaillac. During the two-year occupation, the church was looted and partially destroyed. The church was immediately rebuilt at the end of this period

On the ruins of a older basilica begann, just next to the Baptistère Saint-Jean the construction of large Cathédrale Saint-Pierre in 1162. The building, the new the seat of the Archbishop of Poitiers, was greatly funded by Henry II of England (aka "Henri II Plantagenêt") and Eleanor of Aquitaine. The construction started as usual in the east and was completed with the western facade end of the 13th century. The transition from the late Romanesque to the Gothic style is visible. The three Gothic portals of the western facade seem influenced by the Gothic cathedrals from northern France. Saint Thomas is in the center of the right portal´s tympanum. The "Doubting Thomas" following John 20:24-29 "But Thomas, one of the twelve, called Didymus, was not with them when Jesus came. The other disciples therefore said unto him, We have seen the Lord. But he said unto them, Except I shall see in his hands the print of the nails, and put my finger into the print of the nails, and thrust my hand into his side, I will not believe. And after eight days again his disciples were within, and Thomas with them: then came Jesus, the doors being shut, and stood in the midst, and said, Peace be unto you. Then saith he to Thomas, Reach hither thy finger, and behold my hands; and reach hither thy hand, and thrust it into my side: and be not faithless, but believing. And Thomas answered and said unto him, My Lord and my God. Jesus saith unto him, Thomas, because thou hast seen me, thou hast believed: blessed are they that have not seen, and yet have believed."