Ivory
Cologne - KOLUMBA
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KOLUMBA is the art museum of the Archdiocese of Cologne, originally founded in 1853. During WWII the museum´s collection got evacuated and was saved. Upto 2007 the museum was located near the cathedral. The site of the muesum´s new home was occupied by the Church of St. Columba, which was destroyed in WWII. The new award winning structure designed by Swiss architect Peter Zumthor, built for the museum now shares its site with the ruins of the Gothic church.
The museum is known for very interesting exhibitions, that are altered several times over the year displaying the own collection in changing contexts.
12th century ivory crucifix (detail) - (see prev. upload)
www.kolumba.de/?language=eng
Cologne - Schnütgen Museum
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Cologne is the fourth-largest city in Germany - and one of the oldest. A Germanic tribe, the Ubii, had a settlement here, this was named by the Romans "Oppidum Ubiorum". In 50 AD, the Romans founded "Colonia Claudia Ara Agrippinensium", the city then became the provincial capital of "Germania Inferior".
A city with such a history has -of course- many museums. One is the "Museum Schnütgen", devoted to medieval art. In 1906, the collection of Alexander Schnütgen, a theologian and passionate art collector, was donated to the city.
Since 1956, the museum has occupied the Romanesque church of St. Cäcilien (1130-1160), that was once part of a monastery founded in 881. An annex was added in the 1950s, but even now only about 10% of all artefacts can be displayed as of course the collection has expanded since Schnütgen´s donation.
www.museum-schnuetgen.de/Info
The Nativity of Christ.
Carved from walfus ivory 1150/1160 in Cologne.
Cologne - Schnütgen Museum
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Cologne is the fourth-largest city in Germany - and one of the oldest. A Germanic tribe, the Ubii, had a settlement here, this was named by the Romans "Oppidum Ubiorum". In 50 AD, the Romans founded "Colonia Claudia Ara Agrippinensium", the city then became the provincial capital of "Germania Inferior".
A city with such a history has -of course- many museums. One is the "Museum Schnütgen", devoted to medieval art. In 1906, the collection of Alexander Schnütgen, a theologian and passionate art collector, was donated to the city.
Since 1956, the museum has occupied the Romanesque church of St. Cäcilien (1130-1160), that was once part of a monastery founded in 881. An annex was added in the 1950s, but even now only about 10% of all artefacts can be displayed as of course the collection has expanded since Schnütgen´s donation.
www.museum-schnuetgen.de/Info
Diptych with the Nativity, the Adoration of the Magi, the Crucifixion and the Last Judgment. Carved from ivory 1350/1370 in Cologne or Paris.
Cologne - Schnütgen Museum
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Cologne is the fourth-largest city in Germany - and one of the oldest. A Germanic tribe, the Ubii, had a settlement here, this was named by the Romans "Oppidum Ubiorum". In 50 AD, the Romans founded "Colonia Claudia Ara Agrippinensium", the city then became the provincial capital of "Germania Inferior".
A city with such a history has -of course- many museums. One is the "Museum Schnütgen", devoted to medieval art. In 1906, the collection of Alexander Schnütgen, a theologian and passionate art collector, was donated to the city.
Since 1956, the museum has occupied the Romanesque church of St. Cäcilien (1130-1160), that was once part of a monastery founded in 881. An annex was added in the 1950s, but even now only about 10% of all artefacts can be displayed as of course the collection has expanded since Schnütgen´s donation.
www.museum-schnuetgen.de/Info
The so called "Harrach Diptych" from the Court School of Charlemagne (~800). Carved from ivory.
Tongeren - Onze-Lieve-Vrouwebasiliek
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Tongeren, founded 15BC under the name of "Aduatuca Tungrorum", is the oldest town in Belgium. The Romans set up a military camp, that was later abandoned, - but the settlement, that had grown around the camp developed into an important trading center near the Roman road linking Colonia Claudia Ara Agrippinensium (Cologne) to Bononia (Boulogne-sur-Mer). Though strongly fortified the Franks sacked the town in 275.
The Roman reign endet when the town got destroyed in 451 probably by the Huns. At that time a seat of a bishop existed here already. This see later moved on to Maastricht (595) and finally to Liege (718). In 881 Tongeren was raided and looted by the Normans. The largely destroyed city was rebuilt in the 10th century.
Tongeren prospered but in 1677 Louis XIV’s troops blew up the city walls and burned the town down. It took the town two centuries to recover from this.
Where the Onze-Lieve-Vrouwebasiliek stands now, was the bishopric see with Saint Maternus and Saint Servatius, the first bishops of the diocese founded here. In Carolingian times a collegiate convent existed and a pre-Romanesque church was erected, that later got replaced by a Romanesque structure. This church burned down during a war, fought by the prince-bishop of Liège, the Count of Loon, the Duke of Brabant and the French King.
Following the complete demolition of the burnt church, the construction of the large-scale gothic collegiate and town church began in 1240. It was completed in its present form in the 16th century.
Since some years the basilica´s treasures are displayed in the "Teseum", a museum, located in the building of the former collegiate, that adjoins the church.
A very elaborated ivory carving, that may have been carved in Northern Italy within the 11th century. There was a second "wing", that is now kept in a Brussels´ museum.
teseum.be/en/
Tongeren - Onze-Lieve-Vrouwebasiliek
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Tongeren, founded 15BC under the name of "Aduatuca Tungrorum", is the oldest town in Belgium. The Romans set up a military camp, that was later abandoned, - but the settlement, that had grown around the camp developed into an important trading center near the Roman road linking Colonia Claudia Ara Agrippinensium (Cologne) to Bononia (Boulogne-sur-Mer). Though strongly fortified the Franks sacked the town in 275.
The Roman reign endet when the town got destroyed in 451 probably by the Huns. At that time a seat of a bishop existed here already. This see later moved on to Maastricht (595) and finally to Liege (718). In 881 Tongeren was raided and looted by the Normans. The largely destroyed city was rebuilt in the 10th century.
Tongeren prospered but in 1677 Louis XIV’s troops blew up the city walls and burned the town down. It took the town two centuries to recover from this.
Where the Onze-Lieve-Vrouwebasiliek stands now, was the bishopric see with Saint Maternus and Saint Servatius, the first bishops of the diocese founded here. In Carolingian times a collegiate convent existed and a pre-Romanesque church was erected, that later got replaced by a Romanesque structure. This church burned down during a war, fought by the prince-bishop of Liège, the Count of Loon, the Duke of Brabant and the French King.
Following the complete demolition of the burnt church, the construction of the large-scale gothic collegiate and town church began in 1240. It was completed in its present form in the 16th century.
Since some years the basilica´s treasures are displayed in the "Teseum", a museum, located in the building of the former collegiate, that adjoins the church.
The book cover was created within the 12th century, but the ivory plate in the center, depicting the crucifixion, was carved already around 1000. On the bottom of the plate are the personifications of "Earth" (left) and "Sea" or "Water" (right), while "Sun" and "Moon" are on the top.
teseum.be/en/
Palermo - Elephant
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Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession.
Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century.
A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred
In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful,
The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings.
In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages.
Palermo, founded in 734 BC by the Phoenicians, became a possession of Carthage and later was part of the Roman Empire. From 831 to 1072 the city was under Arab rule. Following the Norman conquest, Palermo became the capital of a new Kingdom of Sicily and the capital of the Holy Roman Empire under Emperor Frederick II and King Conrad IV.
Today Palermo is a bustling city with a population of about 700.000 plus - many many tourists.
This is the lid of an ivory box, that is on display at the museum inside the "Palazzo dei Normanni". It is absolutely prohibited to take any photos there - and there are quite a lot of warders, who not only warn the visitors. Normally I strictly obey such rules, but when I noticed the elephant, I just had to take a shot. Some of you will know, that I do have a special interest in "Medieval Elephants" - and this one is pretty precise!
I have the impression, that the box was produced in the 11th/12th century. I case it is younger, then this must be the Cremona elephant, a gift presented to Frederick II by Sultan of Egypt Al-Kamil in 1229.
Maybe the falconer gives a hint to Frederick II.
Auxerre - Cathédrale Saint-Étienne
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The Cathédrale Saint-Étienne seen today is actually the 5th on the spot.
The erection started in 1215 around the same time, when the building of the cathedrals in Reims and Amiens started. The choir was completed in 1235. The stained glass of the choir windows was created until 1250. The same time, the construction of the facade began. Around 1300, construction began on the southern arm of the transept.
The sculptured portal is dated to around 1320. The nave was built from around 1320–1350, but the Hundred Years' War slowed the work down and delayed the completion of the south aisle until 1378. The north transept and the towers had not begun at the beginning of the 15th century. In 1478, the nave was vaulted and in 1500 work on the north tower began and was completed after 43 years. The south tower was never completed.
Though looted a couple of times, the cathedral has precious works of art in the treasury. A delicate triptych, carved from ivory within the 14th century.
Auxerre - Cathédrale Saint-Étienne
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The Cathédrale Saint-Étienne seen today is actually the 5th on the spot.
The erection started in 1215 around the same time, when the building of the cathedrals in Reims and Amiens started. The choir was completed in 1235. The stained glass of the choir windows was created until 1250. The same time, the construction of the facade began. Around 1300, construction began on the southern arm of the transept.
The sculptured portal is dated to around 1320. The nave was built from around 1320–1350, but the Hundred Years' War slowed the work down and delayed the completion of the south aisle until 1378. The north transept and the towers had not begun at the beginning of the 15th century. In 1478, the nave was vaulted and in 1500 work on the north tower began and was completed after 43 years. The south tower was never completed.
Though looted a couple of times, the cathedral has precious works of art in the treasury. Four biblical episodes carved from ivory within the 14th century.
Tallinn - Suurgildi hoone
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Tallinn, the capital city of Estonia, is situated on the shore of the Gulf of Finland of the Baltic Sea. It is only 80 kilometres south of Helsinki. From the 13th century until the first half of the 20th century Tallinn was known as Reval.
The first recorded claim over the place was laid by Denmark after a raid in 1219 led by Valdemar II. In 1227, the Order of the Brothers of the Sword conquered Reval and three years later recruited 200 Westphalian and Lower Saxon merchants from Gotland, who settled below the castle and were granted freedom of customs and land. In 1238 Reval fell back to Denmark, Under renewed Danish rule, the city rapidly grew in size and economic importance. In 1248, the Danish king granted it the Lübische Stadtrecht (town charter). Due to the strategic location, its port became a significant trade hub, especially in the 14–16th centuries when Tallinn grew in importance as the northernmost member city of the Hanseatic League.
The king of Denmark sold Reval along with other land possessions in northern Estonia to the Teutonic Knights in 1346.
The Tallinn Great Guild was founded around 1325. The most influential merchants were united in this guild. Only married rich merchants or goldsmiths who owned a house could become members of the guild. Unmarried merchants could only become members of the Brotherhood of Blackheads.
The late Gothic house of the Great Guild was built in 1410.
Religious ceremonies, concerts, theatre performances as well as festivities and drinking parties took place here.
Since 1952, the Great Guild Hall has been the building of the Estonian History Museum.
According to old Hindu mythology, the world is supported on the backs of four elephants, themselves resting on the back of a turtle.
This "image" is known in Europe since John Locke and was discussed by German philosophers of the 18th century. Even Goethe wrote about it.
In the Discworld series created by Terry Pratchett, the world is said to be a flat plane sitting on top of four elephants astride the shell of a giant turtle named A'Tuin.
Here are actually three (instead of four) elephants. I was surprised to find the fine ivory carving in the museum's exhibition about maps.
Kraków - Katedra Wawelska
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A legend attributes Kraków's founding to the mythical ruler Krakus, who built it above a cave occupied by a dragon, Smok Wawelski. The first written record dates to 965, when Kraków was described as a notable commercial center captured by a Bohemian duke Boleslaus I in 955. The first ruler of Poland, Mieszko I, took Kraków from the Bohemians.
In 1038, Kraków became the seat of the Polish government. By the end of the 10th century, the city was a center of trade. Brick buildings were constructed, including the Royal Wawel Castle. The city was sacked and burned during the Mongol invasion of 1241. It was rebuilt and incorporated in 1257 by Bolesław V the Chaste who introduced city rights. In 1259, the city was again ravaged by the Mongols. The third attack in 1287 was repelled thanks in part to the newly built fortifications.
The city rose to prominence in 1364, when Casimir III founded the University of Kraków, the second oldest university in central Europe. But after Casimir´s death in 1370 the campus did not get completed.
As the capital of the Kingdom of Poland and a member of the Hanseatic League, the city attracted craftsmen from abroad, guilds as science and the arts began to flourish. The 15th and 16th centuries are known as Poland's "Złoty Wiek" (Golden Age).
After childless King Sigismund II had died in 1572, the Polish throne passed to Henry III of France and then to other foreign-based rulers in rapid succession, causing a decline in the city's importance that was worsened by pillaging during the Swedish invasion and by an outbreak of bubonic plague that left 20,000 of the city's residents dead. In 1596, Sigismund III of the House of Vasa moved the capital of the Polish–Lithuanian Commonwealth from Kraków to Warsaw.
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The Wawel Hill has been the seat of secular and ecclesiastical power since the early Middle Ages. Mieszko I the first historical ruler and creator of the Polish state, chose the hill as the site of one of his residences. His baptism in 966 brought Poland into the orbit of Western culture.
The Wawel Cathedral (officialy "Bazylika archikatedralna św. Stanisława i św. Wacława w Krakowie") is for about 1000 years part of the Wawel Castle Complex. The current Gothic cathedral is the third edifice on this site, the Cathedral of St. Wenceslas from 1020 was destroyed in 1038 by the Czech prince Břetislav, the Romanesque cathedral, consecrated in 1142, with the tomb of the holy Stanislaus, burnt down in 1305.
A few years later the construction of a Gothic cathedral, started. This was completed in 1346. Since Krakow was Poland's capital until 1609 and the royal castle stood on Wawel Hill, the cathedral also served as the court church, and Poland's kings were buried in the crypt.
The Sigismund Bell Tower, built in the second half of the 14th century as part of the fortifications, houses the most venerable bell in Poland, called "Sigismundus". Poland's holy queen Jadwiga (Hedwig of Poland) was buried in the cathedral in 1399.
After the Middle Ages, several chapels were added to the cathedral. There are examples of Romanesque, Gothic, Romanesque, Baroque, Neoclassical, and Neogothic elements in the Cathedral's façade and interior.
This medieval ivory box is exhibited in the cathedral treasury.
Hildesheim - Dommuseum
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Louis the Pious founded the bishopric of Hildesheim in 815. The settlement developed into a town and was granted market rights by King Otto III in 983. Craftsmen and merchants were attracted and the city developed into an important community. By 1167, Hildesheim was an almost completely walled market settlement.
At the beginning of the 13th century, Hildesheim had about 5,000 inhabitants, and when Hildesheim received its city charter in 1249, it was one of the largest cities in northern Germany. The clergy ruled Hildesheim for four centuries before a town hall was built and the citizens gained influence and independence. In 1367, Hildesheim became a member of the Hanseatic League. But what is now called Hildesheim was various small "suburbs". After centuries of (sometimes armed) disputes, it was not until the end of the 16th century that a union was created and subsequently at least the inner wall was taken down Old and New Town.
During the Thirty Years' War, Hildesheim was besieged and occupied several times. In 1813, after the Napoleonic Wars, the town became part of the Kingdom of Hanover, which was annexed by the Kingdom of Prussia as a province after the Austro-Prussian War in 1866.
The air raids on Hildesheim in 1944/45 destroyed large parts of the city. Of the 1500 half-timbered houses, only 200 remained. 90 percent of the historic old town was destroyed in the firestorm.
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Bishop Gunthar, who was in office in Hildesheim from 815 to 834 had a small basilica built. This served as the original cathedral. The next cathedral was built by Bishop Altfried in 872 as a cruciform three-aisled basilica with a two-story westwork. The building suffered severe fire damage in 1046. Bishop Hezilo built then incorporated the surviving walls into the new building using the foundation of the former basilica. Until the 14th century, further profound changes took place, but without deviating from the ground plan of the basilica. The side chapels date from the Gothic period. From 1840 to 1850, the original west building, which had fallen into disrepair, was replaced by a neo-Romanesque double tower front, which remained in place until 1945.
During the air raids on Hildesheim in WWII, the cathedral was completely destroyed except for the west building, the southern nave arcades, and the outer walls. Only the crypt and the Laurentius Chapel from the 11th century were preserved.
The cathedral was rebuilt in a simplified form between 1950 and 1960. The baroque elements were abandoned in favor of a form that took its cue from the early Romanesque style.
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The "Dommuseum" is the "Schatzkammer" (treasury) of the cathedral. It is located in historic rooms off the southern transept of the Cathedral, the church of St Antonius and part of the cathedral cloisters.
Deposition from the Cross, 12th century, Northern Italy
Ravenna - Museo arcivescovile
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In Roman times Ravenna was a lagoon city surrounded by water, with at times up to 50.000 inhabitants. The second largest naval base of the Roman Empire was located here.
In the late 5th century, Roman authority in the West dissolved, and Romulus Augustulus was deposed by the general Odoacer in 476. Odoacer ruled as king of Italy for 13 years, but in 489 the eastern emperor Zeno sent the Ostrogoth king Theoderic to reconquer Italy. After losing the Battle of Verona, Odoacer retreated to Ravenna, where he withstood a three-year siege. In 493, Theoderic finally took Ravenna and supposedly killed Odoacer with his own hands. Ravenna became the capital of the Ostrogothic kingdom in Italy.
Theodoric died in 526 and various Ostrogothic military leaders took the Kingdom of Italy, but none was really successful. Meanwhile, the Byzantine Emperor Justinian I opposed both Ostrogoth rule. In 535 his general Belisarius invaded Italy and in 540 conquered Ravenna. After the conquest of Italy was completed in 554, Ravenna became the seat of the Byzantine government in Italy. Under Byzantine rule, the archbishop of the Archdiocese of Ravenna held second place in Italy after the pope and played an important role during this period.
In 751 Lombard king, Aistulf conquered Ravenna, thus ending Byzantine rule in northern Italy. King Pepin of the Franks attacked the Lombards and Ravenna gradually came under the direct authority of the Popes. Pope Adrian I authorized Charlemagne to take away anything from Ravenna that he liked, and Roman columns, mosaics, statues, and other portable items were taken north to enrich his capital of Aachen.
In 1198 Ravenna led a league of Romagna cities against the Emperor. After the war of 1218, the Traversari family was able to impose its rule in the city, but after a short period, Ravenna was returned to the Papal States in 1248 and again to the Traversari until 1275. One of the most illustrious residents of Ravenna at this time was the exiled Florentine poet Dante. In 1441 the city was annexed to the Venetian territories.
The Archbishop's Museum is located just behind the Duomo. It dates back to the first half of the 18th century. During the reconstruction or rebuilding of Ravenna Cathedral the inscriptions, mosaic fragments and stone monuments (from the 6th century onwards) found there were placed in a lapidarium. At the beginning of the 20th century the museum was rebuilt and objects from churches of the diocese were added.
The Throne of Maximianus is a cathedra made for Archbishop Maximianus of Ravenna. It can be dated to the years 545-553 and was probably carved in Constantinople. It was probably commissioned by Justinian as a gift for Maximianus because he became the new archbishop. It is quite possible that Maximianus acted as regent for the emperor in the remaining Byzantine territory in Italy, since Ravenna had been the western capital of the Roman Empire and the Byzantine Empire.
The throne is made of carved ivory panels with frames of twisted vines and grapevines on a wooden frame. The ivory carvings are in relief, and important biblical figures are depicted on the panels. Scenes from the life of Christ are depicted on the back of the throne, and scenes from the story of Joseph from the Book of Genesis can be seen on the sides.
Of the former 39 panels, only 27 are still preserved
Here from the front are the four evangelists. Above and below friezes depicting animals.
Find more photos from Ravenna in this album
www.ipernity.com/doc/323415/album/1330038
Ravenna - Museo arcivescovile
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In Roman times Ravenna was a lagoon city surrounded by water, with at times up to 50.000 inhabitants. The second largest naval base of the Roman Empire was located here.
In the late 5th century, Roman authority in the West dissolved, and Romulus Augustulus was deposed by the general Odoacer in 476. Odoacer ruled as king of Italy for 13 years, but in 489 the eastern emperor Zeno sent the Ostrogoth king Theoderic to reconquer Italy. After losing the Battle of Verona, Odoacer retreated to Ravenna, where he withstood a three-year siege. In 493, Theoderic finally took Ravenna and supposedly killed Odoacer with his own hands. Ravenna became the capital of the Ostrogothic kingdom in Italy.
Theodoric died in 526 and various Ostrogothic military leaders took the Kingdom of Italy, but none was really successful. Meanwhile, the Byzantine Emperor Justinian I opposed both Ostrogoth rule. In 535 his general Belisarius invaded Italy and in 540 conquered Ravenna. After the conquest of Italy was completed in 554, Ravenna became the seat of the Byzantine government in Italy. Under Byzantine rule, the archbishop of the Archdiocese of Ravenna held second place in Italy after the pope and played an important role during this period.
In 751 Lombard king, Aistulf conquered Ravenna, thus ending Byzantine rule in northern Italy. King Pepin of the Franks attacked the Lombards and Ravenna gradually came under the direct authority of the Popes. Pope Adrian I authorized Charlemagne to take away anything from Ravenna that he liked, and Roman columns, mosaics, statues, and other portable items were taken north to enrich his capital of Aachen.
In 1198 Ravenna led a league of Romagna cities against the Emperor. After the war of 1218, the Traversari family was able to impose its rule in the city, but after a short period, Ravenna was returned to the Papal States in 1248 and again to the Traversari until 1275. One of the most illustrious residents of Ravenna at this time was the exiled Florentine poet Dante. In 1441 the city was annexed to the Venetian territories.
The Archbishop's Museum is located just behind the Duomo. It dates back to the first half of the 18th century. During the reconstruction or rebuilding of Ravenna Cathedral the inscriptions, mosaic fragments and stone monuments (from the 6th century onwards) found there were placed in a lapidarium. At the beginning of the 20th century the museum was rebuilt and objects from churches of the diocese were added.
The Throne of Maximianus is a cathedra made for Archbishop Maximianus of Ravenna. It can be dated to the years 545-553 and was probably carved in Constantinople. It was probably commissioned by Justinian as a gift for Maximianus because he became the new archbishop. It is quite possible that Maximianus acted as regent for the emperor in the remaining Byzantine territory in Italy, since Ravenna had been the western capital of the Roman Empire and the Byzantine Empire.
The throne is made of carved ivory panels with frames of twisted vines and grapevines on a wooden frame. The ivory carvings are in relief, and important biblical figures are depicted on the panels. Scenes from the life of Christ are depicted on the back of the throne, and scenes from the story of Joseph from the Book of Genesis can be seen on the sides.
Of the former 39 panels, only 27 are still preserved
The story of Joseph
Find more photos from Ravenna in this album
www.ipernity.com/doc/323415/album/1330038
Pisa - Museo dell'Opera del Duomo
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This museum holds a large collection of the works of art. Here are the originals, many of which are meanwhile replaced with replicas all around he Piazza dei Miracoli, as many of them crumbled and weathered. The museum is well worth a visit, but was closed (for a year?) in autumn 2014.
Following the information given, this ivory casket was produced in the Byzantine Empire within the 11th century. To the right a lion and a griffin chase a hare. To the left a very common motif: two birds drinking from a chalice.
Above them four little nudes dance, holding girdles of flowers (?). The left one blows a kind of instrument, the rights one seems to have a animal head (?).
Pisa - Museo dell'Opera del Duomo
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This museum holds a large collection of the works of art. Here are the originals, many of which are meanwhile replaced with replicas all around he Piazza dei Miracoli, as many of them crumbled and weathered. The museum is well worth a visit, but was closed (for a year?) in autumn 2014.
Following the information given, this ivory casket was produced in the Byzantine Empire within the 11th century.
This side shows, that the hare got caught by the lion (see previous upload), maybe the griffin waits for his share of the prey.
The nude "dancers" here hold musical instruments.
Ravenna - Museo arcivescovile
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In Roman times Ravenna was a lagoon city surrounded by water, with at times up to 50.000 inhabitants. The second largest naval base of the Roman Empire was located here.
In the late 5th century, Roman authority in the West dissolved, and Romulus Augustulus was deposed by the general Odoacer in 476. Odoacer ruled as king of Italy for 13 years, but in 489 the eastern emperor Zeno sent the Ostrogoth king Theoderic to reconquer Italy. After losing the Battle of Verona, Odoacer retreated to Ravenna, where he withstood a three-year siege. In 493, Theoderic finally took Ravenna and supposedly killed Odoacer with his own hands. Ravenna became the capital of the Ostrogothic kingdom in Italy.
Theodoric died in 526 and various Ostrogothic military leaders took the Kingdom of Italy, but none was really successful. Meanwhile, the Byzantine Emperor Justinian I opposed both Ostrogoth rule. In 535 his general Belisarius invaded Italy and in 540 conquered Ravenna. After the conquest of Italy was completed in 554, Ravenna became the seat of the Byzantine government in Italy. Under Byzantine rule, the archbishop of the Archdiocese of Ravenna held second place in Italy after the pope and played an important role during this period.
In 751 Lombard king, Aistulf conquered Ravenna, thus ending Byzantine rule in northern Italy. King Pepin of the Franks attacked the Lombards and Ravenna gradually came under the direct authority of the Popes. Pope Adrian I authorized Charlemagne to take away anything from Ravenna that he liked, and Roman columns, mosaics, statues, and other portable items were taken north to enrich his capital of Aachen.
In 1198 Ravenna led a league of Romagna cities against the Emperor. After the war of 1218, the Traversari family was able to impose its rule in the city, but after a short period, Ravenna was returned to the Papal States in 1248 and again to the Traversari until 1275. One of the most illustrious residents of Ravenna at this time was the exiled Florentine poet Dante. In 1441 the city was annexed to the Venetian territories.
The Archbishop's Museum is located just behind the Duomo. It dates back to the first half of the 18th century. During the reconstruction or rebuilding of Ravenna Cathedral the inscriptions, mosaic fragments and stone monuments (from the 6th century onwards) found there were placed in a lapidarium. At the beginning of the 20th century the museum was rebuilt and objects from churches of the diocese were added.
The Throne of Maximianus is a cathedra made for Archbishop Maximianus of Ravenna. It can be dated to the years 545-553 and was probably carved in Constantinople. It was probably commissioned by Justinian as a gift for Maximianus because he became the new archbishop. It is quite possible that Maximianus acted as regent for the emperor in the remaining Byzantine territory in Italy, since Ravenna had been the western capital of the Roman Empire and the Byzantine Empire.
The throne is made of carved ivory panels with frames of twisted vines and grapevines on a wooden frame. The ivory carvings are in relief, and important biblical figures are depicted on the panels. Scenes from the life of Christ are depicted on the back of the throne, and scenes from the story of Joseph from the Book of Genesis can be seen on the sides.
Of the former 39 panels, only 27 are still preserved
On the backrest are depicted scenes from Bethlehem.
Find more photos from Ravenna in this album
www.ipernity.com/doc/323415/album/1330038
Salerno - Museo Diocesano San Matteo
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Salerno (pop. ~ 130.000) is located on the Gulf of Salerno on the Tyrrhenian Sea. The site has been one of the most important and strategic ports on the Mediterranean sea, yielding a rich Greco-Roman heritage. It was an independent Lombard principality in the early Middle Ages. The Normans in 1077 made Salerno the capital of their rule in all of southern Italy. In the 16th century, under the Sanseverino family, among the most powerful feudal lords in southern Italy, the city became a center of learning, culture, and the arts.
Salerno has been the seat of an archbishop since 983 and the city's medical school is famous for being the first college or "university" of medieval Europe.
The Diocesan Museum is best known for the "Salerno Ivories". A collection of ivory plaques from around the 11th or 12th century that contain elements of Early Christian, Byzantine, and Islamic art as well as influences from Western Romanesque and Anglo-Saxon art.
It is the largest unified set of ivory carvings preserved from the pre-Gothic Middle Ages and depicts narrative scenes from both the Old and New Testaments. It is supposed the ivories originated in either Salerno or Amalfi, which both contain identified ivory workshops, however, neither has been definitively linked to the plaques so the city of origin remains unknown.
The Genesis
God created plants / Day and night
The creation of Eve / The fall of man
The expulsion from Paradise / Hard work
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