Samson´s hair/cut

"Saint-Pierre d'Aulnay" is a church outside of Aulnay, in the center of an old graveyard. The setting has not changed for centuries. For the pilgrims of the 12th century this church was a major halt - and it still is for all the tourists... A predecessing church „Saint-Pierre-de-la-Tour“ had been here, that, when the pilgrimage to Santiago de Compostella got more and more popular, was obviously to small, as Aulnay was conveniently situated between Poitiers and Saintes on the Via Turonensis. A new, larger church was needed, so the place was handed over to the chapter of the cathedral in Poitiers. The canons then probably planned this church, that was erected from about 1130/1140 on. "Saint-Pierre d'Aulnay" is a gem of the "style saintongeais". For Peter Strafford ("Romanesque Churches Of France") this is "one of the best examples of late Romanesque architecture in what used to be Aquitaine". Not only the exterior of Saint-Pierre is decorated with many wonderful works of art, the carved capitals of the nave, are extraordenary as well. Different groups of stone carvers have worked here over the decades, so there are different styles of carvings here. Only a few carvings refer directly to the Bible. I found Adam and Eve, their sons Cain and Abel - and Samson, who is mostly depicted, tearing a the lion apart. Here his hair is cut off with the help of Delilah Judges 18-19 "When Delilah saw that he had told her everything, she sent word to the rulers of the Philistines, “Come back once more; he has told me everything.” So the rulers of the Philistines returned with the silver in their hands. After putting him to sleep on her lap, she called for someone to shave off the seven braids of his hair, and so began to subdue him. And his strength left him."

The town was founded by the hermit Domingo de la Calzada (aka "Dominic of the Causeway"), who supported the pilgrims on the way to Santiago de Compostela. Domingo not only built a hospital for the pilgrims, but as well a paved causeway and a bridge. He was such a successfull architect, that he is still patron saint of the Spanish civil engineers. The first church, erected by him, got consecrated in 1106. The Romanesque apse and the ambulatory of the church have survived the times. Under the roofs of the apse are some great corbels. To the right Samson (long hair!) is riding the lion. - Judges 14:6 "The Spirit of the Lord came powerfully upon him so that he tore the lion apart with his bare hands.." The lion to the left seems very impressed by Samson´s enormous strength and seems frozen in a gesture of submissiveness.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades at least two workshops have worked here. Maybe even more. This "Samson fighting the lion" is carved in much softer and smoother style than the other capitals (previous uploads). The capital is even "decorated" with tendrils. Samson has the legendary long hair, that was later cut off by his wife. Some scholars attribute this to "Wiligelmo da Modena" (aka "Gulielmo da Modena", "Guglielmo da Modena") - or a workshop. Wiligelmo (active ~ 1099 - 1120) was a sculptor who was influenced by the Romanesque style of Southern France. I do see parallels...

One of the first printed records about this gate stated in 1859 "Of all old monuments in the Rhine valley, none as mysterious as the portal (...) near the church in Remagen". The Pfarrhoftor (= Gateway to the parish close) still is enigmatic. It may have been erected for a nearby monastery, that centered around an St. Apollinaris shrine, it may have been in deed a gate to a parish close. Actually it known since the 17th century, when parts of it were found, walled in between the rectory and the encircling wall. The parts were recovered and like pieces of a puzzle joined together. Though the cope stone was lost, the large arch was easy to reconstruct. Wether the smaller side portal originally was left or right is unclear. The 22 carved reliefs here have triggered more than a dozend different theories. I will quote some. The carving style was not appreciated by the art-historians. Already Wilhelm Bode ("Geschichte der Deutschen Plastik") wrote in 1887 that the carver was "without any artistic ambition". For me this portal has parallels in Linden and Goegging. All three portals are roughly carved - and enigmatic, blending christian, pagan and ancient icons. The only point, that is undisputed is, that the portal was erected in the second half of the 12th century. In 1902, when the neo-Romanesque church St. Peter and Paul was erected, the Pfarrhoftor got placed here, next to the new church. This very weathered relief probably corresponds to the "triumphator" (previous upload). It is one of the few, that are undisputed and depicts Samson (with very long hair), killing a lion with his bare hands.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" and the adjoining cloister, the only structures of the large complex, that survived the times. The cloister (completed ~ 1200) measures 47x47 metres. Each side has 26 arches resting on columns. The carvings of the capitals (and the columns) are very detailed and complex, the themes vary and some capitals are "hard to read" and interpret. Samson and Delilah Judges 16:1-3 "One day Samson went to Gaza, where he saw a prostitute.(..) The people of Gaza were told, "Samson is here!" So they surrounded the place and lay in wait for him all night at the city gate. (..) “At dawn we’ll kill him.” But Samson (..) took hold of the doors of the city gate, together with the two posts, and tore them loose, bar and all. He lifted them to his shoulders and carried them to the top of the hill that faces Hebron." Judges 16:15-19 "Then she said to him, "How can you say, "I love you," when you won’t confide in me? (..) " With such nagging she prodded him day after day until he was sick to death of it. So he told her everything. "No razor has ever been used on my head," he said, "because I have been a Nazirite dedicated to God from my mother’s womb. If my head were shaved, my strength would leave me, and I would become as weak as any other man." When Delilah saw that he had told her everything, she sent word to the rulers of the Philistines, "Come back once more; he has told me everything." So the rulers of the Philistines returned with the silver in their hands. After putting him to sleep on her lap, she called for someone to shave off the seven braids of his hair, and so began to subdue him. And his strength left him." Judges 15:25-30 "While they were in high spirits, they shouted, "Bring out Samson to entertain us." So they called Samson out of the prison, and he performed for them. When they stood him among the pillars, Samson said to the servant who held his hand, "Put me where I can feel the pillars that support the temple, so that I may lean against them." Now the temple was crowded with men and women; all the rulers of the Philistines were there, and on the roof were about three thousand men and women watching Samson perform. Then Samson prayed to the Lord, "Sovereign Lord, remember me. Please, God, strengthen me just once more, and let me with one blow get revenge on the Philistines for my two eyes." Then Samson reached toward the two central pillars on which the temple stood. Bracing himself against them, his right hand on the one and his left hand on the other, Samson said, "Let me die with the Philistines!" Then he pushed with all his might, and down came the temple on the rulers and all the people in it. Thus he killed many more when he died than while he lived."

A hermitage was founded here by Géraud de Salles, a friend of Robert de Arbrissel, the of the Cistercian abbey of Fontevrault. In 1119 the hermitage was made an abbey, connected to the Abbaye de Pontigny. The Abbaye de Cîteaux ceded twelve monks to Cadouin for the first settlement of the monastery. Around 1200 the monastery came into possession of the "Saint-Suaire de Cadouin". This was believed to be the facecloth from the tomb of Christ, said to have been brought from Antioch by a priest after the first crusade. This relic made the abbey an important place of pilgrimage on the way to Santiago and brought it great prestige and wealth. Even Louis IX of France ("St. Louis"), Richard I of England ("Richard the Lionheart") and Emperor Charles V ("Charles Quint") visited Cadouin to see the relic. The war of the 14th century let the pilgrimage come to an end and let the abbey decline. In 1357 the abbey was ruined and only two monks stayed to guard the shroud, that was transferred to Toulouse in 1392. This transport of shroud to Toulouse deprived the abbey of donations. The shroud returned and with the strong support of the French Kings, the abbey recovered after 1455. Thanks to royal protection, the cloister was rebuilt in an extravagant way. The abbey was affiliated to the Cistercian order, but not founded by it. This is one reason, that may explain the enormous creativity here, as "normally" the Cistercian art is very sober. Though the authenticity of the shroud was attested in 1644, the abbey did never fully recover after the Wars of Religions. During the French Revolution, the abbey was dissolved and got looted. In 1793 the abbey, apart from the church, was sold as a national property. The mayor of Cadouin hid the shroud during the Revolution until it was returned to worship in 1797. It was the Bishop of Perigueux in the mid 19th century, who "relaunched" the pilgrimage, that prospered again up to 1934. That year, a historian dated the shroud thanks to the presence of decorative bands decorated with a text. An inscription was found in Kufic style, opened by the "fatiha", the Islamic profession of faith, the text then indicates that the veil was woven at the time of Al-Musta'li, the caliph of Fatimid Egypt, at the end of the 11th century. The extravagant cloister has many very interesting carvings. Here is Samson, who is mostly depicted, tearing a the lion apart. But now his hair is cut off with the help of Delilah Judges 18-19 "When Delilah saw that he had told her everything, she sent word to the rulers of the Philistines, “Come back once more; he has told me everything.” So the rulers of the Philistines returned with the silver in their hands. After putting him to sleep on her lap, she called for someone to shave off the seven braids of his hair, and so began to subdue him. And his strength left him."

There had been a cathedral here earlier, that was just too small, when Autun became a center of pilgrimage, after relics of St. Lazarus were kept here since about 970. Just like Vezelay, only 90kms north, where the relics of St. Lazarus´ sister St. Maria Magdalena were kept at that time. So in 1120 it was decided to construct this larger and more suitable cathedral. At that time this construction was influenced by Cluny III, that was a little older. After severe damage during the Hundred Years' War, rebuilding and remodeling the romanesque structure started.The central nave never changed - and the many carved capitals. Some of this works were taken down, during the renovation by Viollet-le-Duc and are now shown in the "Salle Capitulaire", where it is interesting to see the carvings at eye level. This masterly carved capital depicts Samson wrestling a lion. Here he is just opening the lion´s mouth, before he is going to rip the lion apart. Book of Judges 14:6 "And the Spirit of the LORD came mightily upon him, and he rent him as he would have rent a kid, and he had nothing in his hand: but he told not his father or his mother what he had done." Surprisingly Samson seems to be an elderly, well dressed man. Note the carving of Samsons dress and the nice mane of the lion. Not connected to the Book of Judges, but an interesting and exotic extension is in the left upper corner. A monkey is picking fruits from the branches.

Gensac-la-Pallue is a small town, about 10kms southeast of Cognac, with a population of 1500. Saint Martin is the large parish church of the town. It is not known, who financed this church, when it was erected within the 12th century (the choir and tower were added a century later) and there are no obvious connections to one of the important abbeys of the area, but for a parish church, built on swampy grounds, this is a pretty prestigious structure. Saint-Martin has a western facade, that is extraordenary, as not many churches in the Poitou have three (!) horizontal registers/levels with a kind of rythm: 3 arches, topped by 5 arches, topped by 6 arches. There is a long frieze-like band extending all over the facade. This frieze is in parts pretty weathered after 800 years. I do not know, who is the peron to the very left, but Samson, tearing the lion apart (left) and Abraham, sacrificing his son (right), can still be recognized. The angel and the ram are on their way..

The "Cathédrale Saint-Étienne de Bourges" was erected as a replacement for a 11th-century structure. The construction started probably in the last quarter of the 12th century, around the same time, when the builders and bricklayers started in Chartres. The choir of the cathedral was in use by 1214, the nave was finished 1255. The cathedral was consecrated in 1324. The western facade was finished by 1270. It is very wide (42m), as the four side aisles and central nave each have their own portal. There are even two more portals, older ones. Here is the southern (side) portal. It is Romanesque, probably created around 1150/60). It was once part of the Romanesque cathedral, that got demolished and was replaced end of the 12th century, by the structure seen today. Here is a detail of that portal. On the left side is Samson, tearing the lion apart. To the right a knight fighting a dragon. The knight seems in a pretty helpless situation, but he just spears the dragon from below the shield. Saint George!