Artaiz - San Martin

The Jaws of Hell


The Hellmouth is the entrance to Hell. A gaping mouth of a huge monster, an image which first appears in Anglo-Saxon art, and then spread all over Europe.

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01 May 2021

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62 visits

Kalkhorst- St. Laurentius

The parish of Kalkhorst is mentioned in 1230 in a list of villages belonging to the Ratzeburg diocese At the same time the village church of Kalkhorst was built. It was erected by the lords of the village. The church of today stands out because of the irregularity of its ground plan and the many additions and alterations. The square tower stands asymmetrically in front. The choir is dated to around 1350 based on an epitaph and replaced a previous building. The nave is attributed to the 13th century, so it is the older part of the building. The baroque furnishings from the beginning of the 18th century. The late gothic fresco of the choir. The mouth of hell.

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01 Jun 2021

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57 visits

Auxerre - Saint-Étienne d'Auxerre

Auxerre was a Gallo-Roman centre, then called Autissiodorum. It became the seat of a bishop already in the 3rd century. In the 5th century, it received a cathedral. Wine cultivations starting from the twelfth century made Auxerre a flourishing town. Auxerre suffered during the Hundred Years' War and the Wars of Religion. In 1567 it was captured by the Huguenots, and many of the Catholic edifices were damaged. The Cathédrale Saint-Étienne is actually the 5th on the spot. The erection started in 1215 around the same time when the building of the cathedrals in Reims and Amiens started. The church was erected over a still existing crypt from the previous building (~ 1030). The choir was completed in 1235. At the same time, the construction of the facade began. The sculptured portal is dated to around 1320. I have been here a couple of times and have uploaded already many photos, so this time I will cut it down to just a few. The three tympana of the facade are pretty damaged. Seen on the left side of the lintel is a "Weighing of the Souls". The "bad ones" go directly into the "Mouth of Hell" to suffer while the "good ones" are carried away by angels.

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01 Jul 2021

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84 visits

Wismar - Nikolaikirche

Slavic Obodrites lived in the area, where Wismar is now, until the end of the 12th century. The exact date of the city's foundation is not clear, it had civic rights already in 1229 when migrants from Holstein and Westphalia settled here. The "Lübsches Stadtrecht" (town law) was confirmed in 1266. In 1259 Wismar joined a defensive agreement with Lübeck and Rostock, in order to counter the numerous Baltic pirates. Subsequently, more cities would agree to cooperate as commerce and trade were increasingly coordinated and regulated. These policies would provide the basis for the development of the "Hanseatic League". By the 13th and 14th centuries, Wismar had grown into a flourishing Hanseatic trading hub. In 1632, during the Thirty Years' War, Sweden conquered the city, and the Swedish Crown received in the Peace of Westphalia in 1648 after the end of the Thirty Years' War. Swedish rule over Wismar ended de facto in 1803 when Sweden pledged the city to the Duchy of Mecklenburg-Schwerin for 99 years. Formally, Wismar reverted to Germany in 1903 and Sweden waived its right to redeem the pledge. Wismar is a typical representative of the Hanseatic League with its city-wide Brick Gothic structures and gabled patrician houses and has alongside the historical old town of Stralsund been declared the UNESCO World Heritage Site "Historic Centres of Stralsund and Wismar". The Nicolaikirche (Church St. Nicholas) was built from 1381 until 1487 as a church for sailors and fishermen. St. Nicholas is a fine testaments to mediaeval brick architecture in northern Germany. In 1381, the city council commissioned the master mason Heinrich von Bremen to complete the choir. The consecration of the high altar is documented for 1403. Heinrich von Bremen continued to work until 1415. In 1434 work was carried out on the north aisle and later the south aisle. Under the direction of Peter Stolp and Hermann von Münster in 1459, the work was completed to such an extent that the church could be consecrated. From 1485 to 1487, Hans Mertens built the two upper storeys of the tower, and the spire was added in 1508. In December 1703, a storm destroyed the spire. Its parts smashed through the roof and the vaults of the nave. Many pieces of the interior furnishings were destroyed. Afterwards, the tower received a transverse gable roof and the nave a flat ceiling. The renovation of the furnishings lasted until the second half of the 18th century. It was not until 1867 that a vault was erected again. The air raids during the Second World War caused only minor damage to the church. After the Second World War, the Nikolaikirche was the least damaged of all the large churches in Wismar. Many works of art had been stored away and thus survived the war, but the churches lay in ruins and the important Marienkirche was later blown up. The baptismal font, cast in bronze around 1335, formerly stood in the Marienkirche. The basin is supported by three young men, and there are two rows of arcades. The arches are decorated with reliefs from the life of Jesus, the parable of the wise and foolish virgins and the Last Judgement. The Hellmouth is just in front. The font was coloured in earlier times. It is very similar to the font by Johann Apengeter in the Marienkirche in Lübeck and was probably made in the same workshop. Note the whalebones at the wall.

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01 Jul 2021

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Rostock - Kulturhistorisches Museum

With more than 200.000 inhabitants Rostock is the largest city in the state of Mecklenburg-Western Pomerania. Small Slavic settlements existed already in the 8th century. A settlement named Roztok was founded in the 11th century by Polabian Slavs. This town was burnt down by troops of the Danish king Valdemar I in 1161. Afterwards the place was settled by German traders. After 1226 Rostock became the seat of the Lordship of Rostock. In the 1250s the city became a member of the Hanseatic League. In the 14th century, it was a powerful seaport town with 12,000 inhabitants and the largest city in Mecklenburg. Ships for cruising the Baltic Sea were constructed in Rostock. Until the last Hansa Convention in 1669, Rostock took a leading role in the Baltic Sea behind Lübeck. - The museum, founded mid 19th century, is hosted in the "Kloster zum Heiligen Kreuz", that got finally dissolved in 1920. The conversion into a museum began already in 1976, but the restoration of the buildings remained incomplete until 1997. The winged Nonnenaltar (nun's altar) was created in the early 16th century. Its former location was in the church's nuns' gallery, thus the name. The wings show depictions from the legend of the finding of the cross by Empress Helena. The entombment of Jesus and Christ's descent into hell. Both details of the predella.

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01 Jul 2021

96 visits

Gdańsk - Kościół św. Jana

Gdańsk is mentioned the Vita of Saint Adalbert of Prague who baptised the inhabitants of "urbs Gyddannyzc" in 997. Later the site was a duchy of Poland. In 1224/25, merchants from Lübeck were invited Significant German influence did not appear until the 14th century, after the takeover of the city by the Teutonic Knights. In 1300, the town had an estimated population of 2,000. Low on funds, the Pomeranian Samborides lent the settlement to Brandenburg, although they planned to give it to Poland. Poland threatened to intervene, and the Brandenburgians left the town. Subsequently, the city was taken by Danish princes in 1301. The Teutonic Knights were hired by Polish nobles to drive out the Danes. In 1308, the town was taken by the Teutonic Knights. Primary sources record a large massacre carried out by the Knights against the population. In 1358, Danzig joined the Hanseatic League. After a series of Polish-Teutonic Wars, the Order had to acknowledge that it would hold Pomerelia as a fief from the Polish Crown. The city thrived as a result of increased exports via the Vistula River trading routes. While under the control of the Teutonic Order German migration increased. A new war broke out in 1409, culminating in the Battle of Grunwald in 1410. The city came under the control of the Kingdom of Poland. Only a year later, with the Peace of Thorn, it returned to the Teutonic Order. In 1440, the city participated in the foundation of the "Prussian Confederation", an organisation opposed to the Teutonic Knights. Upon the request of the organisation King Casimir IV of Poland reincorporated the territory to the Kingdom of Poland in 1454. This led to a war between Poland and the Teutonic Order. Casimir IV of Poland granted the town the Great Privilege. With this, the town was granted full autonomy and protection by the King of Poland. The privilege removed tariffs and taxes on trade within Poland, Lithuania and Ruthenia. Gaining privileged access to Polish markets, the seaport prospered while simultaneously trading with the other Hanseatic cities. Being the largest and one of the most influential cities of Poland, it enjoyed voting rights during the royal election period in Poland. In the 1575 election of a king to the Polish throne, Danzig supported Maximilian II in his struggle against Stephen Báthory. Stephen became monarch but the city shut its gates against him. After the 6 months siege of Danzig in 1577 the city's army was defeated. A compromise was reached: Stephen confirmed the city's special status and its privileges. The city recognised him as ruler of Poland and paid the enormous sum of 200,000 guldens in gold as payoff. During the Reformation, most German-speaking inhabitants adopted Lutheranism. The "Battle of Westerplatte" was the first battle of the German invasion of Poland, marking the start of WW II in Europe. The historic city centre of Gdansk was 90% destroyed at the end of WWII. It was reconstructed by Poles at great expense and today attracts tourists. The construction of the three-nave Gothic church started around 1360. The building was completed in the 15th century. There was space for the tower to be built later, as well as for the vaults, which were temporarily replaced by the beamed ceiling. The construction of the vaults and the tower was completed around 1465. In the following centuries, artisan guilds and brotherhoods founded 13 altars, but after the Reformation, most of the altars disappeared. In 1543 the church tower was consumed by fire. Soon there was a problem with the stability of the building. The church was too heavy, the foundation was too weak on unstable ground. In the 17th century, the chancel was on the verge of collapse and the gables were falling away from the east wall. In 1679, huge buttresses were erected on the east wall to keep it from collapsing. The structure was reinforced from the end of the 16th century, several times during the 17th and 18th centuries. In 1680-1690, on the north side of the transept, the library of the Zachariasz Zappio Foundation was established. Other outbuildings added to the temple over time were a large sacristy and the Chapel of St. Spirit on the south transept. In 1945 the church burned down. After the end of WWII, the burned-out church building was roofed over and its vaults were secured. But it fell into disrepair for many years. In the 1960s the tower was rebuilt and in the next decade, the pillars were stacked and reinforced. Only few traces of the former frescoes have survived the times. Like this Mouth of Hell.

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01 Aug 2013

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Beaulieu-sur-Dordogne - Saint-Pierre

Raoul de Bourges (aka "Saint Raoul"), archbishop of Bourges, son of the Count of Turenne founded an abbey on the banks of the Dordogne river in the 9th century with the help of monks from Solignac, where Raoul had started his clerical career. After feudal quarrels, the abbey Saint-Pierre joined the Cluniac movement in 1076 and soon after the erection of this church started. It was completed already mid 12th century. Though not situated at the busy pilgrim routes (eg "Via Podensis" runs about 60kms south) a large, typical "pilgrim church" was created here. It may well been, that the relics, that were on display here (Saint-Prime, Saint-Félicien, Sainte-Félicité) and the proximity to Rocamador (30kms southwest) motivated many pilgrims to do a detour. The abbey slipped into difficult times, when the number of pilgrims shrunk and feudal claims emerged again. The abbey and the city of Beaulieu suffered of the Wars of Religion. The Huguenots took over Beaulieu in 1569 and the monks had to flee. After the "Ligue Catholique" had reconquered the place, the monks returned and soon after the convent joined the Congregation of Saint Maur. The abbey existed upto the French revolution, when the last 6 monks had to leave. The abbey buildings got sold and demolished, while the church was taken over by the parish. The structure was in a ruined state at that time. The nave partly collapsed in 1808, but a difficult renovation undertaken end of the 19th century finally saved the church. The double lintel is populated by creatures of hell. These are the beasts of the Revelation, there is even a seven-headed-beast. The creatures come out of the hell´s mouth (left) and are devouring ill-fated sinners. Above them is the Second Coming of Christ. Tombs are opening. Ii the center of the tympanum is a seated Christ, flanked by two angels blowing horns. He holds his arms outstretched and so forms a cross, while behind his right shoulder two angels hold the cross, an angel over his left shoulder displays the nails. Christ, surrounded by angels and apostles, is depicted with the "Arma Christi", the instruments of the Passion. A very unusual "combination" for the time.

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01 Mar 2022

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Florence - Battistero di San Giovanni

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. The interior is divided into a lower part with columns and an upper part with a corridor. The interior walls are clad in dark green and white marble inlaid with geometric designs. The marble lining of the interior began in the second half of the eleventh century. From 1225, the dome was decorated with one of the world's largest mosaic cycles, with a diameter of 26 m in eight rings by famous artists such as Giotto or Cimabue; This mosaic, dominated by a mighty figure of Christ, was only completed after 50 years. The cyclorama was created between 1260 and 1275 and has a diameter of eight meters. Details of the mosaic: Heaven and Hell

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01 Mar 2022

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Strasbourg - Cathédrale Notre-Dame

When Strasbourg was first mentioned in 12BC, it was the Roman camp Argentoratum. Strasbourg was probably a bishop's seat from the 4th century. Alemanni, Huns and Franks conquered the city in the 5th century. Strasbourg was then ruled by the Strasbourg bishops until 1262 when the citizens violently rebelled against the bishopric and Strasbourg became a free imperial city and so belonged to the Holy Roman Empire. Led by two rival patrician families (Müllheim and Zorn), the city prospered, although the town hall required two separate entrances for the two families. On February 14, 1349, one of the first and largest pogroms of persecution of Jews in connection with the plague in the German area took place here. In the course of the St. Valentine's Day massacre, several hundred (some say up to 3000) Jews were publicly burned, and the survivors were expelled from the city. Until the end of the 18th century, Jews were forbidden to stay within the city walls after 10 pm. Strasbourg came under French rule in 1681, after the conquest of Alsace by the armies of Louis XIV. However, the revocation of the Edict of Toleration of Nantes in 1685, which legalized the suppression of Protestantism in France, did not apply in Alsace, and religious freedom prevailed, even if the French authorities endeavored to favor Catholicism wherever possible. Strasbourg's Lutheran, German-influenced university continued to exist. Moreover, until 1789, Alsace was a de facto foreign province , separated from the rest of France by a customs border running along the Vosges Mountains. Therefore, the city and its surrounding area remained German-speaking. In the period of the French Revolution, the city became attractive for republicans from Germany and later an exile for German oppositionists. The Strasbourg Cathedral (German: Straßburger Münster) was built between 1176 and 1439 on the site of a previous church from the early 11th century that had burned down to replace a church from the Carolingian period that had burned down in 1007. Gothic style. At least from 1647 to 1874, the cathedral with its 142-meter-high north tower was the tallest structure in human history and the tallest structure of the Middle Ages. Important contributions from 1277 to his death in 1318 are attributed to the architect Erwin von Steinbach; he was succeeded by his son Johannes and his grandson Gerlach. The west facade was created by master Ulrich von Ensingen and his successor Johannes Hültz. With its characteristic asymmetrical shape (the south tower was never built), the Strasbourg Cathedral is the symbol of Alsace today. The building was damaged by bombardments in 1870 and 1944. The figural decoration and the interior decoration were damaged in the course of the iconoclasm of the Reformation, the re-Catholicization in 1681 and the French Revolution. The sculptures on the portals of the west facade were created between 1277 and 1298, but are partly copies of the originals or free additions from the 19th century. The Last Judgement. The tombs open. Sinners are being thrown into the Hellmouth.

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01 Mar 2022

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48 visits

Haguenau - Saint-Georges

Duke Frederick II the One-Eyed (1090-1147) of Swabia built a hunting lodge on an island in the Moder. The settlement that grew around was the beginning of Haguenau. Holy Roman Emperor Frederick I Barbarossa fortified the settlement and gave it town rights, important for further development, in 1154. On the site of the hunting lodge, he founded an imperial palace he regarded as his favorite residence. In this palace were preserved the "Crown Jewels of the Holy Roman Empire", i.e. the jeweled imperial crown, scepter, imperial orb, and sword of Charlemagne. The Romanesque church building began under Duke Frederick II the One-Eyed of Swabia and replaced an older Romanesque chapel. In 1143 the Strasbourg bishop granted the construction of the church, which was completed in 1189. The architecture recalls the style of the Hirsau Abbey which influenced the Romanesque architecture of Swabia. A Gothic choir was added to the Romanesque nave, which remained unaffected except for the vaults that were inserted later. The choir was consecrated in 1283. The winged altar was created in the 19th century by adding two late Gothic paintings as wings to the centerpiece depicting the "Last Judgement". This is a work by Diebold Martin, a contemporary of Grünewald.
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