Offenburg - Dreifaltigkeitskirche
Offenburg - Dreifaltigkeitskirche
Offenburg - Dreifaltigkeitskirche
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Offenburg - Dreifaltigkeitskirche
Offenburg was first mentioned in 1148 and was declared a Free Imperial City by 1240.
During the 9-Years-War the town suffered under the French occupation of Offenburg. In 1689 Offenburg was set on fire and completely destroyed except for the Capuchin monastery and two other houses.
The "Offenburger Programm" which consisted of thirteen demands "in the name of the people of Baden", was put forward here on 12 September 1847. This was the first known demand for democracy in Germany, demanding basic and human rights as well as freedom of the press. It was one of the triggers that started the 1848-Revolution in Southern Germany.
After the Catholic parish in Offenburg had grown to about 12.000 parishioners end of the 19th century, the planning for a second Catholic church started.
The erection of the Neo-Romanesque Dreifaltigkeitskirche ("Holy Trinity"), designed by Johannes Schroth, started in 1904. It got consecrated already 2 years later. It is 60m long and has a capacity of 1.300.
Johann Schroth´s style is in between Historism and Art Nouveau, what is visible inside.
During the 9-Years-War the town suffered under the French occupation of Offenburg. In 1689 Offenburg was set on fire and completely destroyed except for the Capuchin monastery and two other houses.
The "Offenburger Programm" which consisted of thirteen demands "in the name of the people of Baden", was put forward here on 12 September 1847. This was the first known demand for democracy in Germany, demanding basic and human rights as well as freedom of the press. It was one of the triggers that started the 1848-Revolution in Southern Germany.
After the Catholic parish in Offenburg had grown to about 12.000 parishioners end of the 19th century, the planning for a second Catholic church started.
The erection of the Neo-Romanesque Dreifaltigkeitskirche ("Holy Trinity"), designed by Johannes Schroth, started in 1904. It got consecrated already 2 years later. It is 60m long and has a capacity of 1.300.
Johann Schroth´s style is in between Historism and Art Nouveau, what is visible inside.
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