Berchtesgaden - Provostry
Villeneuve-l’Archevêque - Notre Dame
Brioude - Saint-Julien
Fleury-la-Montagne
Saint-Gaultier - Saint-Gaultier
Chaumont - Basilique Saint-Jean-Baptiste
Ancona - Santa Maria della Piazza
Otranto - Duomo di Otranto
Paestum - Museo Archeologico
Ripoll - Monastery of Santa Maria
Merseburg - Dom
Vitoria-Gasteiz - Basílica de San Prudencio
Toro - Colegiata de Santa María la Mayor
Ávila - Basílica de San Vicente
Badajoz -Museo Arqueológico Provincial
Saviano - Santo Estevo de Ribas de Miño
Winchester - Cathedral
Winchester - Cathedral
Salisbury - Cathedral
Merida - Museo Nacional de Arte Romano
Manfredonia - Abbazia di San Leonardo in Lama Vola…
La Chaise-Dieu
Albugnano - Abbazia di Vezzolano
Macqueville – Saint-Étienne
Milan - Basilica of Sant'Ambrogio
Milan - Basilica of Sant'Ambrogio
Bergamo - Santa Maria Maggiore
Zillis - St. Martin
Bourbon-l'Archambault - Saint-Georges
Modena - Duomo di Modena
Assisi - Cattedrale di San Rufino
Perugia - Fontana Maggiore
Poitiers - Sainte-Radegonde
Saint-Restitut - Saint-Restitut
Verona - Basilica di San Zeno
Verona - Basilica di San Zeno
Verona - Basilica di San Zeno
Verona - Duomo di Verona
Pisa - Museo dell'Opera del Duomo
Poitiers - Cathedral
Agüero - Iglesia de Santiago
Saint-Aulais-la-Chapelle - Saint-Jacques
Annepont - Saint-André
Brux - Saint Martin
Saint-Marcouf - Saint-Marcouf
Bourges Cathedral
Huesca - San Pedro el Viejo
Agüero - Iglesia de Santiago
Agüero - Iglesia de Santiago
Jaca - Catedral de San Pedro
Jaca - Catedral de San Pedro
Jaca - Catedral de San Pedro
Artaiz - San Martin
Lencloître - Notre-Dame
Maillezais - Saint-Nicolas
Surgères - Notre-Dame
Surgères - Notre-Dame
Matha - Saint-Pierre de Marestay
Annepont - Saint-André
Parthenay - Notre-Dame-de-la-Couldre
Aulnay - Saint-Pierre
Rioux - Notre-Dame de l’Assomption
Fontaines-d'Ozillac - Saint-Martin
Sauveterre-de-Guyenne - Saint-Christophe du Puch
Iguerande - Saint-Marcel
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Otranto - Cattedrale di Otranto
Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea.
After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples.
Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces.
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Otranto had been one of the last Byzantine strongholds in Apulia, but finally, Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent on the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox Christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleochristian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns.
I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple.
It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto.
The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used.
There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories.
As the church is a parish church, there are benches placed on the mosaic floor. Only for the Sunday service, the ropes are open so that the parishioners can reach the benches. I stayed up to Sunday to mix with the locals.
Adam and Eve
Note the little scenes in between the medaillons. There are there musicians: a singing rooster and two dogs, one with cymbals, the second with a harp. One the right a cat watches a mouse furtively.
After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples.
Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces.
-
Otranto had been one of the last Byzantine strongholds in Apulia, but finally, Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent on the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox Christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleochristian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns.
I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple.
It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto.
The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used.
There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories.
As the church is a parish church, there are benches placed on the mosaic floor. Only for the Sunday service, the ropes are open so that the parishioners can reach the benches. I stayed up to Sunday to mix with the locals.
Adam and Eve
Note the little scenes in between the medaillons. There are there musicians: a singing rooster and two dogs, one with cymbals, the second with a harp. One the right a cat watches a mouse furtively.
Ernest CH has particularly liked this photo
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