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Gothe
![Gothe Gothe](https://cdn.ipernity.com/200/94/64/51259464.589c9be1.640.jpg?r2)
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Goethe in the Roman Campagna, by Johann Tischbein, 1786-87
“Germany? Where is it? / I do not know where to find such a country,” wrote Goethe and Schiller in 1796. In Germany both geography and history have always been unstable. Borders move. The past keeps changing. Cities and regions which were for centuries German are not firmly parts of other countries. What does that mean for them, and for the Germans? . . . Page 1
www.themarginalian.org/2012/08/17/goethe-theory-of-colours
www.gutenberg.org/cache/epub/52654/pg52654-images.html
“Germany? Where is it? / I do not know where to find such a country,” wrote Goethe and Schiller in 1796. In Germany both geography and history have always been unstable. Borders move. The past keeps changing. Cities and regions which were for centuries German are not firmly parts of other countries. What does that mean for them, and for the Germans? . . . Page 1
www.themarginalian.org/2012/08/17/goethe-theory-of-colours
www.gutenberg.org/cache/epub/52654/pg52654-images.html
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One Nation Under Goethe
There is a portrait, painted in 1787 by the Artist Johann Tischbein, en.wikipedia.org/wiki/Johann_Heinrich_Wilhelm_Tischbein that is to most German people instantly recognizable. In fact, it would probably be fair to say that this picture is by far the most famous portrait in the whole of Germany. It hangs in Stadel Museum in Frankfurt and shows us the writer Johann Wolfgang von Goethe in Italy, dashingly wrapped in a white traveller’s cloak and wearing a broad-brimmed black hat, sitting on some Roman remains and looking purposefully into the middle distance. And if Germans know this image of their great national poet above all others, they also know him above all as the author of one supreme drama, which is not just a great poetic tragedy, but has long been a defining element in the German national myth: “Faust; ~ Page 131
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