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Judgment at Paris 1825-6
![Judgment at Paris 1825-6 Judgment at Paris 1825-6](https://cdn.ipernity.com/112/31/93/22313193.450f2b7a.640.jpg?r2)
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William Etty 1787-1849
In handing the apple to Aphrodite, Goddess of love, in preference to her rivals Hera & Athena, Paris sets in train the evens that will lead to the Trojan Wars. This is Etty's largest and most celebrated history paintings painted for the 4th Earl of Darnley and exhibited at the Royal Academy in 1826. Etty used as his sources Marcantonio Raimondi's engraving of Raphael's 'Judgment of Paris' and an engraving by John Flaxman from his illustrations to the Iliad
In handing the apple to Aphrodite, Goddess of love, in preference to her rivals Hera & Athena, Paris sets in train the evens that will lead to the Trojan Wars. This is Etty's largest and most celebrated history paintings painted for the 4th Earl of Darnley and exhibited at the Royal Academy in 1826. Etty used as his sources Marcantonio Raimondi's engraving of Raphael's 'Judgment of Paris' and an engraving by John Flaxman from his illustrations to the Iliad
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ON SEX
Nature (i.e., here, the evolutionary process) is mad about reproduction, and makes the individual a tool and moment in the continuance of the species. She cares little about anything but eating and begetting; all our literature, art, and music mean nothing to her except as stimulation or ornament ot sex and continuity. In this perspective even eating is subordinate, however primary; it comes first, and without it life could not be; but it, too, is servant to sex; the unconscious purpose of our eating is to preserve and develop us for biological maturity -- i.e., the ability to reproduce. When we have fulfilled that function we eat in order to survive as caretakers for our progeny. When we have completed both of these functions nature has no further use or regard for us; normally we would soon thereafter die; if we go on living it is as dispensable bystanders in the procession of life. ` Page 87
ON SEX
Nature (i.e., here, the evolutionary process) is mad about reproduction, and makes the individual a tool and moment in the continuance of the species. She cares little about anything but eating and begetting; all our literature, art, and music mean nothing to her except as stimulation or ornament ot sex and continuity. In this perspective even eating is subordinate, however primary; it comes first, and without it life could not be; but it, too, is servant to sex; the unconscious purpose of our eating is to preserve and develop us for biological maturity -- i.e., the ability to reproduce. When we have fulfilled that function we eat in order to survive as caretakers for our progeny. When we have completed both of these functions nature has no further use or regard for us; normally we would soon thereafter die; if we go on living it is as dispensable bystanders in the procession of life. ` Page 87
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