35mm SLR cameras

Dreaming of a mud bath, I hope. This image was shot from a Nikon FE SLR film camera with a Nikkor 105mm 1:2.5 lens using Efke KB25 B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop. Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)

No synthetics here!! This image was shot from a Nikon FE SLR film camera with a Nikkor 105mm 1:2.5 lens using Efke KB25 B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop. Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)

A street scene from Otavalo, Imbabura, Ecuador. This image was shot from a Olympus OM-1n SLR film camera with a Sigma Zoom 1:3.5~4.5 f=28~80mm lens using Kodak TMX B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop. Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)

Hurry home - Mom is waiting. This image was shot from a Olympus OM-1n SLR film camera with a Sigma Zoom 1:3.5~4.5 f=28~80mm lens using Kodak TMX B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop. Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)

A candid shot in Otavalo, Ecuador. This image was shot from a Olympus OM-1n SLR film camera with a Sigma Zoom 1:3.5~4.5 f=28~80mm lens using Kodak TMX B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop. Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)

- an obscure memento (circa 1947) on the wall of the cafe at China Camp State Park. China Camp History This image was shot from a Yashica FR1 SLR 35mm film camera, scanned by an Epson Perfection V600 and digitally rendered with Photoshop.

Here is what to expect as glaciers melt and ice caps disappear! This photo was taken by a Yashica FR1 SLR 35mm film camera and ML 28mm 1:2.8 lens using Kodak 135 Portra 160 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.

My love is true and sharp. Happy Valentine’s Day! This photo was taken by a Minolta SRT102 film camera with a MD Tele Rokkor-X 135mm 1:35 lens and Tiffen 55mm Haze filter using Kodak Portra 160 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

This prickly fellow is taking no chances! Fenced into a corner, it is displaying a formidable defense against all threats. One might say it is a bit paranoid! This photo was taken by a Minolta SRT102 film camera with a MD Tele Rokkor-X 135mm 1:35 lens and Tiffen 55mm Haze filter using Kodak Portra 160 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

This fancy adorned fence is more for show than effective bank security, I presume. This photo was taken by a Minolta SRT102 film camera with a MC Rokkor-PF 1:1.7 f=50mm lens and SF-55M Tiffen Hi-Trans Ⓣ #15 Orange filter using Ilford Delta 400-135 Pro film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Sitting on a ridge looking out to sea, the cool breezed touching my face. This photo was taken by a Minolta SRT102 film camera with a MD Tele Rokkor-X 135mm 1:3.5 lens and SF-55M Tiffen Hi-Trans Ⓣ #15 Orange filter using Ilford Delta 400-135 Pro film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

With the outer world fenced out, Saint Mary’s Church of Nicasio stands on consecrated land, cleansed of sin and dedicated to God. This photo was taken by a Minolta SRT102 film camera and MC Minolta Celtic 1:2.8 f=28mm lens with a Hoya 55mm Y(K2) filter using Astrum FN-64 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

At the base of the Golden Gate Park’s Strawberry Hill on the shoreline of Stow Lake is the Golden Gate Pavilion, a Chinese peace pagoda presented to San Francisco by it’s sister city, Taipei, in 1976. This photo was taken by a Nikon FE 35mm SLR film camera and Zoom-Nikkor 43-86mm lens with a Rokinon UV 52mm filter using Kodak Portra 400 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Stow Lake is a manmade lake in Golden Gate Park. The lake has provided San Franciscans with an outdoor escape from the hectic pace of the city since it’s creation in 1893. This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

A wrought copper barrier symbolizes the divide between the wealthy all-male members of the Pacific-Union Club and the outside world. This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Still waters run deep This photo was taken by a Nikon FE 35mm SLR film camera with a Nikkor-H Auto 1:3.5 f-28mm lens and O56 52mm Nikon filter using Adox CHS 100 II 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Oats will be served at sunup in the corrals to all guests. This photo was taken by a Nikon FE 35mm SLR film camera with a Nikkor 50mm 1:1.8 lens and Rokinon UV 52mm filter using Kodak Portra 400 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light. Plato This photo was taken by a Minolta SRT102 film camera with a MC Minolta Celtic 1:2.8 f=28mm lens and Hoya 55mm Y2 filter using Ilford Delta 400-135 Pro film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.