Fritz Heukeshoven-collection

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1897 he is seen as Canio in Leoncavallo’s opera “Pagliacci”.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1897 he is seen as Canio in Leoncavallo’s opera “Pagliacci”.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1884 he is seen as Chapelou in Adam’s “Le postillon de Lonjumeau”.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1887 he is seen as Don César in Dellinger’s eponymous operetta.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1884 he is seen as George Brown in Boieldieu’s opera “La dame blanche”.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1886 he is seen as Raoul in Meyerbeer’s opera “Les Huguenots”.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1886 he is seen as Raoul in Meyerbeer’s opera “Les Huguenots”.

Fritz Heukeshoven (1855-1926); German tenor. In the season 1878/79 he started his career at the “Stadttheater von Strassburg”. In the following years he was engaged at Thüringen (1879/80), Zürich (1880/82), Graz (1882/83), Kassel (1883/86) Prague (1886/88), Breslau (1888/90) and Wiesbaden (1890/93). At the end of his career he performed at Nürnberg (1893/94), Augsburg (1894/97) and Basel (1897/1904). Until 1908 he made guest appearances every now and then. At the beginning of his career he performed roles like Lyonel in “Martha”, Almaviva in “Il barbiere di Siviglia”, Georges Brown in “La Dame Blanche” and Fra Diavolo. Later on his career he also sang more dramatic roles like Pollione in “Norma”, Manrico in “Il Trovatore”, Raoul in “Les Huguenots”, Jean de Leyde in “Le Prophet”, Arnoldo in “Guillaume Tell, Eleazar in “La juive”, Canio in “I Pagliacci” and various Wagner roles. His total repertoire consisted of 140 roles. Added to this was an equally versatile repertoire for the concert hall. On the photo from 1887 he is seen as …….(?).