Léon Melchissédec's autograph at the back
Léon Melchissédec by Reutlinger
Anna de La Grange by Reutlinger with autograph
Florence Lancia by Disdéri with autograph
Autograph Clara Louise Kellogg (2)
Clara Louise Kellogg by Brady
Carl Rosa by Gurney
Autograph Euphrosyne Parepa-Rosa
Euphrosyne Parepa-Rosa by Stinson & Co
Euphrosyne Parepa Rosa by Stereoscopic (1)
Euphrosyne Parepa-Rosa by Gurney
Euphrosyne Parepa-Rosa by Stereoscopic (2)
Johann Nepomuk Beck by Bohr
Johann Nepomuk Beck by Mahlknecht (2)
Johann Nepomuk Beck by Mahlknecht (3)
Pauline Lucca by Lehmann (2)
Marie Renard by Graf
Marie Renard by Adèle (1)
Marie Renard by Adèle (2)
Marie Renard and Paula Mark by Adèle (3)
Marie Renard and Paula Mark by Adèle (4)
Marie Renard and Paula Mark by Adèle (5)
Marie Renard and Paula Mark by Adèle (6)
Marie Caroline Miolan-Carvalho's autograph at the…
Marie Caroline Miolan-Carvalho by Franck
Louis Barrielle by Millet with autograph
Victor Prilleux by Moulin
Victor Prilleux's autograph at the back
Marie Garnier by Dagron
Marie Sasse by Disdéri (1)
Marie Sasse by Charlet & Jacotin
Gabrielle Moisset by Reutlinger (3)
Marie Cabel by Bingham (2)
Emma Mauduit by Otto & Fière
Fidès Devriès by Reutlinger (3)
Fidès Devriès by Reutlinger (2)
Fidès Devriès by Reutlinger (1)
Célestine Galli-Marié by Unknown
Célestine Galli-Marié and Alexandre Gourdin by Maz…
Célestine Galli-Marié and Charles-Amable Battaille…
Célestine Galli-Marié by Maunoury (3)
Célestine Galli-Marié by Reutlinger (2)
Célestine Galli-Marié by Reutlinger (1)
Célestine Galli-Marié by Maunoury (2)
Célestine Galli-Marié by Maunoury (1)
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Marie Caroline Miolan-Carvalho by Erwin frères (1)
Marie Caroline Miolan-Carvalho, born Marie Caroline Félix-Miolan (1827-1895); French soprano who sang in various premières. The best known are in opera's by Charles Gounod: Marguerite in "Faust" (1859), Baucis in "Philemon et Baucis" (1860) , Sylvie in "La colombe" (1860), the title-role in "Mireille" (1864) and Juliette in "Roméo et Juliette"(1867). She studied singing at the Conservatoire National de Paris where she was a pupil of the famous tenor Gilbert Duprez. In 1849 she made her debut at the Opéra in Brest as Isabella in Meyerbeer's "Robert le Diable". In that same year she was engaged in Paris at the Opéra-Comique where she debuted very successfully in the title role of "Lucia di Lammermoor". Here she remained until 1855. In 1853, she married Léon Carvalho, a French impresario and director of the Théâtre-Lyrique. After their marriage, she began to use the name Caroline Carvalho instead of Marie Miolan and became the prima donna at the Théâtre-Lyrique from 1856 to 1867. From 1868 until her retirement from the stage in 1885 she performed at the Opéra-Comique and at the Grand Opéra Paris. She made international guest appearances at London, Berlin, Brussels and St. Petersburg.
On the photo she is seen as Mireille, the role she created in 1864.
On the photo she is seen as Mireille, the role she created in 1864.
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