Leone Giraldoni by Trinquart
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Francesco Graziani by Disdéri (1)
Francesco Graziani by Disdéri (2)
Jean-Vital Jammes (Ismaël) by Carjat
Jean-Baptiste Faure by Disdéri (1)
Jean-Baptiste Faure by Disdéri (2)
Jean-Baptiste Faure by Disdéri (3)
Louis-Henri Obin by Disdéri
Jean-Baptiste Faure by Numa Blanc (1)
Jean-Baptiste Faure by Numa Blanc (2)
Jean-Baptiste Faure by Reutlinger (1)
Jean de Reszke by Benque
Edouard de Reszke by Pollock
José Dupuis by Carjat
José Dupuis by Gaston & Mathieu
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Pierre-Jules Michot by Petit
Pierre-Jules Michot by Disdéri
Pierre-Jules Michot by Carjat
Marie Caroline Miolan-Carvalho by Reutlinger
Marie Caroline Miolan-Carvalho by Bacard
Marie Caroline Miolan-Carvalho by Petit (1)
Caroline Barbot by Petit
Joseph-Théodore-Désiré Barbot by Petit
Emilia La Grua by Laurent with autograph
Emilia La Grua by Disdéri (1)
Gilbert-Louis Duprez by Petit
Gilbert-Louis Duprez by Disdéri (2)
Gilbert-Louis Duprez by Disdéri (1)
Adelaide Borghi-Mamo by Disdéri (2)
Adelaide Borghi-Mamo by Disdéri (1)
Carlo Baucardé by Disdéri (2)
Carlo Baucardé by Disdéri (1)
Enrico Tamberlick by Bergamasco (1)
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Erminia Frezzolini by Mayer & Pierson
Erminia Frezzolini (1818-1884); Italian soprano who created the role of Giselda in Verdi's "I Lombardi" in 1843. She also created the role of Giovanna d'Arco by Verdi in 1845. Both premieres in Milano at La Scala. She was a pupil of her father, the famous bass- buffo Giuseppe Frezzolini (1789-1861), who in 1832 created the role of Dulcamara in the premiere of Donizetti 's "Elisir D'amore".
In 1837 she made her debut in Florence in the title role of Belllini's "Beatrice di Tenda ". Soon she became one the most important Donizetti and Bellini interpreters of her generation in Italy. In 1838 she sang at Siena and Ferrara, in 1839 at Pisa, Reggio Emilia, Perugia and Bologna, in 1840 at Turin. In 1840 she enthralled the audience of La Scala in the title role of Donizetti 's "Lucrezia Borgia". In 1842 and 1850 she sang at London, in 1852-53 at Madrid and in1853-57 in Paris. In 1846, she sang at the Teatro San Carlo Naples in the world premiere of Mercadante's "Gli Orazi ed I Curiazi". She made numerous guest appearances in Europe and North America. During the years 1841/46 she was married to the tenor Antonio Poggi (1806-75), who sang as her partner in the aforementioned premiere of "Gianna d' Arco" the role of King Charles VII of France.
In 1837 she made her debut in Florence in the title role of Belllini's "Beatrice di Tenda ". Soon she became one the most important Donizetti and Bellini interpreters of her generation in Italy. In 1838 she sang at Siena and Ferrara, in 1839 at Pisa, Reggio Emilia, Perugia and Bologna, in 1840 at Turin. In 1840 she enthralled the audience of La Scala in the title role of Donizetti 's "Lucrezia Borgia". In 1842 and 1850 she sang at London, in 1852-53 at Madrid and in1853-57 in Paris. In 1846, she sang at the Teatro San Carlo Naples in the world premiere of Mercadante's "Gli Orazi ed I Curiazi". She made numerous guest appearances in Europe and North America. During the years 1841/46 she was married to the tenor Antonio Poggi (1806-75), who sang as her partner in the aforementioned premiere of "Gianna d' Arco" the role of King Charles VII of France.
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