...and for once it's not about the trash bin gaining sentience and walking away :)
Having encountered the wedding photographer Ryan Brenizer (who blogs for amazon.com and has a stream at flickr that tends to pop up at the top of the interestingness hill over there) a couple of times on the net I've noticed his (do I dare say partly gimmicky?) technique of depth of field/bokeh panorama stitching. According to him he invented it (could be true, haven't seen it before him), he dubbed it "Ryan's strange lenses" and the "Brenizer technique" (his howto).
The idea is to take several exposures in order to get a composite image that had it been a single exposure would usually have had to be taken using an impossingly large aperture lens for any given focal length (haven't calculated this properly, ended up more wide than high too when stitched in PS CS3). The thing that enables this is really clever software such as Photoshop CS3 that can automatically import and align several images making a huge panorama).
At any rate, I thought of trying this out.
Composite of 13 shots taken wide open at f/2 using a 85mm lens, ended up cropping it at 16:9 as I didn't capture enough height-wise. I was going for something that would have the same field of view as a 35mm lens. Behind the scenes shot..
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Michael B.pro says:
Ah, the lengths we'll go to to reduce depth of field... ;-)
Scoopro replies:
Siegfried Vogel says:
I read the link you provided about this Brenizer technique, and I am hooked! This finally is a solution to some limitations in lens-making, as he explains in his amazon blog. What I really do not understand is how he is able to shoot 20 to 30 pics with a model, without any motion blur! Amazing!
I guess the kitchen shot of yours was much easier to achieve. BTW, did you switch off the autofocus? If not, every shot of the panorama would have a slightly different point of focus...
Scoopro replies:
My static scene was at any rate quite simple to achieve. The lens was a manual focus one from the early 1980's (first I focussed on the cutlery holder and then I shot my sequence whilst trying to keep the camera in on point in space). Having the exposure and whitebalance locked would be a must, otherwise much headache and extra work would follow I guess.
Scoo edited this comment 10 months ago.
Siegfried Vogel replies:
Thanks again for the link to this technique!
Siegfried Vogel replies:
Scoopro replies:
Siegfried Vogel replies:
www.ipernity.com/blog/hyperbob/121794
Scoopro replies:
Roomeripro says:
Scoopro replies:
kommaasserpro says: