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End of the Trail by James Earl Fraser in the Metropolitan Museum of Art, Feb. 2020
End of the Trail
1918, cast 1918
James Earle Fraser American
Object Details
Title: End of the Trail
Artist: James Earle Fraser (American, Winona, Minnesota 1876–1953 Westport, Connecticut)
Date: 1918, cast 1918
Culture: American
Medium: Bronze
Dimensions: 33 x 26 x 8 3/4 in. (83.8 x 66 x 22.2 cm)
Credit Line: Purchase, Friends of the American Wing Fund, Mr. and Mrs. S. Parker Gilbert Gift, Morris K. Jesup and 2004 Benefit Funds, 2010
Accession Number: 2010.73
Drawn from Fraser’s experiences growing up in Dakota Territory in the 1880s, this exhausted Native American seated on a windblown pony is an evocative comment on the damaging effects of advancing Euro-American settlement on the Indigenous population. “End of the Trail” exemplifies the western subjects created by such French-trained artists such as Fraser, who were expressing themselves at once as American, through their choice of themes, and as modern, through their command of current aesthetics.
Text from: www.metmuseum.org/art/collection/search/20461
1918, cast 1918
James Earle Fraser American
Object Details
Title: End of the Trail
Artist: James Earle Fraser (American, Winona, Minnesota 1876–1953 Westport, Connecticut)
Date: 1918, cast 1918
Culture: American
Medium: Bronze
Dimensions: 33 x 26 x 8 3/4 in. (83.8 x 66 x 22.2 cm)
Credit Line: Purchase, Friends of the American Wing Fund, Mr. and Mrs. S. Parker Gilbert Gift, Morris K. Jesup and 2004 Benefit Funds, 2010
Accession Number: 2010.73
Drawn from Fraser’s experiences growing up in Dakota Territory in the 1880s, this exhausted Native American seated on a windblown pony is an evocative comment on the damaging effects of advancing Euro-American settlement on the Indigenous population. “End of the Trail” exemplifies the western subjects created by such French-trained artists such as Fraser, who were expressing themselves at once as American, through their choice of themes, and as modern, through their command of current aesthetics.
Text from: www.metmuseum.org/art/collection/search/20461
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