Paper Negatives
I am in the process of writing an article about this process for those who are unfamiliar with the concept and possibilities. www.ipernity.com/blog/kiwivagabond/501429
There is of course the historical process of paper negatives and more contemporary styles of shooting with paper in your camera instead of film and processing that in a traditional darkroom process.
Leo Returns To France
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© Graham Hughes 2015
All Rights Reserved
Paper Negative process Tetenal vario matt paper.. Globus 5 x 7 LF. Fujinon 240mm W F:6.3 lens. Using lights...experimental portrait. Gallery259 Maungatapere New Zealand. Developed in Moersch Eco 4812
Helen & Graham
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative. Tetanal vario matt paper. Watson & Sons LF Cameracirca 1880. Dallmeyer 6 x 5 Rapid Rectilinear lens. Developed in Moersch Eco 4812 Scanned and gently digitally kissed. Taken outside Gallery259 with natural light. 1sec exposure wide open. Can't find the waterhouse stops for this lens....hope I remember where I put them for safety!
Friends
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative. Tetanal vario matt paper. Watson & Sons LF Camera circa 1880. Dallmeyer 6 x 5 Rapid Rectilinear lens. Developed in Moersch Eco 4812 Scanned and gently digitally kissed. Taken outside Gallery259 with natural light. 1sec exposure wide open. Can't find the waterhouse stops for this lens....hope I remember where I put them for safety!
Band Of Brothers
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative. Tetanal vario matt paper. Watson & Sons LF Camera circa 1880. Dallmeyer 6 x 5 Rapid Rectilinear lens. Developed in Moersch Eco 4812 Scanned and gently digitally kissed. Taken very outside Gallery259 with natural light. 1sec exposure wide open. Can't find the waterhouse stops for this lens....hope I remember where I put them for safety!.
Stella In Dappled Light
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© Graham Hughes @2015
All Rights Resreved
Silver gelatin paper negative process. Pentacon P6 80mm f2.8 Biotar. Paper was 55yr old Agfa Brovira, single weight Grade 4. Developed in Moersch Eco 4812
Billie
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Vintage Rolleicord TLR, Triotar Lens. Tetanal vario matt paper. Developed in Moersch Eco 4812
No Room At The Inn
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Vintage Rolicord TLR, Triotar Lens. Tetanal vario matt paper. Developed in Moersch Eco 4812
Jacob's Ladder
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Vintage Rolicord TLR, Triotar Lens. Tetanal vario matt paper. Developed in Moersch Eco 4812
Billie
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Pentacon Six, CZ 80mm Biotar Lense. Tetanal vario matt paper. Developed in Moersch Eco 4812
Orange filter version.
Billie
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Pentacon Six, CZ 80mm Biotar Lense. Tetanal vario matt paper. Developed in Moersch Eco 4812
Hiroshima Carpark
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Pentacon Six, CZ 80mm Biotar Lense. Tetanal vario matt paper. Developed in Moersch Eco 4812
The Streets Of Laredo
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Developed and scanned. Lubitel 166 TLR Taken outside Gallery259 using vintage Ilford single weight contact paper. Shot wide open.
The Boyz Are Back In Town. (a light study)
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative. Tetanal Vario matt paper. Watson & Sons LF Camera pre 1908. Dallmeyer 6 x 5 Rapid Rectilinear lens. 9 second exposure. Developed in Ilford Warmtone. Scanned and gently digitally kissed in PS & Nik Silver Efex. Taken very near Gallery259 with natural light.
Show Time In Sector 7. (a light study)
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative. Tetanal vario matt paper. Watson & Sons LF Camera pre 1908. Dallmeyer 6 x 5 Rapid Rectilinear lens. 9 second exposure. Developed in Ilford Warmtone. Scanned and gently digitally kissed in PS and Nik Silver Efex. Taken very near Gallery259 with natural light.
The Gladiator. (a light study)
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative. Tetanal vario matt paper. Watson & Sons LF Camera pre 1908. Dallmeyer 6 x 5 Rapid Rectilinear lens. 9 second exposure. Developed in Ilford Warmtone. Scanned and gently digitally kissed in PS & Nik Efex. Taken very near Gallery259 with natural light.
The Night They Drove Ole Dixie Down...(a light stu…
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative. Tetanal vario matt paper. Watson & Sons LF Camera pre 1908. Dallmeyer 6 x 5 Rapid Rectilinear lens. 9 second exposure. Developed in Ilford Warmtone. Scanned and gently digitally kissed in PS and Nik Efex. Taken very near Gallery259 with natural light.
The Light Room (a light study)
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Developed and scanned. Rolleicord 1A TLR Taken as a test inside Gallery259 with this camera. Triotar Lens.
A bit of background...
One thing I have always wanted is a good TLR. I like the square frame and the waist level thang.......and they just have that feel. My Pentacon 6 is the same but the shutter timing has gone all weird....and am processing how to sort that......I shoots paper and I am okay wit that ......but I loved it with film. I have tried various cheap TLRs.Lubitel, Ricohflex, other Rolleicords but they have never really worked consistently, or not worked at all. BUT I love them. This 1A fell into my lap and these were a quick test with some paper before I finished my weekend @Gallery259.
Full Moon At Gallery259 (a light study)
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© Graham Hughes 2015
All Rights Reserved
Silver gelatin paper negative process. Developed and scanned. Rolleicord 1A TLR Taken as a test inside Gallery259 with this camera. Triotar Lens.
A bit of background...
One thing I have always wanted is a good TLR. I like the square frame and the waist level thang.......and they just have that feel. My Pentacon 6 is the same but the shutter timing has gone all weird....and am processing how to sort that......I shoots paper and I am okay wit that ......but I loved it with film. I have tried various cheap TLRs.Lubitel, Ricohflex, other Rolleicords but they have never really worked consistently, or not worked at all. BUT I love them. This 1A fell into my lap and these were a quick test with some paper before I finished my weekend @Gallery259.
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