2018
A simple place to see what the current state of the nation is....analogue or some rare digital....
Trouble In The Fields
|
|
|
Silver gelatin paper negative process. 8 x 10 neg. Dark Arts 14 x 14 Camera. Tetenal vario 5 matt paper. Vintage 1860-80 Berthiot lens. Scanned and gently kissed gently in NIk Silver FX. Unfortunately this was the day I discovered some light leak issues still to be sorted.
And So Its Back To Work....
|
|
|
|
Silver gelatin paper negative process. Sinar P 8 x 10 Cam.
Tetenal vario 5 matt paper.
Vintage 1898 Ross CZ Convertible Anastigmat lens. Shot at f8.
Developed in over diluted Ilford Multigrade. .Scanned at 1200 dpi, colour and Epson V800 Kissed gently in NIk FX
Te Whenua/The Land
|
|
|
Silver gelatin paper negative process. Sinar P 8 x 10 Cam.
Tetenal vario 5 matt paper.
Vintage 1898 Ross CZ Convertible Anastigmat lens. Shot at f11.
Developed in over diluted Ilford Multigrade.
Straight scan and inverted only. I love how straight inverts have this bluish hue. Being an uncoated lens the contrast is less to.
Scanned at 1200 dpi, colour and Epson V800
Te Whenua/The Land
|
|
|
|
Silver gelatin paper negative process. Sinar P 8 x 10 Cam.
Tetenal vario 5 matt paper.
Vintage 1898 Ross CZ Convertible Anastigmat lens. Shot at f8.
Developed in over diluted Ilford Multigrade.
Straight scan and inverted only.
I love how straight inverts have this bluish hue. Being an uncoated lens the contrast is less to.
Scanned at 1200 dpi, colour and Epson V800
Te Whenua/The Land
|
|
Silver gelatin paper negative process.
Sinar P 8 x 10 Cam.
Tetenal vario 5 matt paper.
Industar 37 Russian lens. Shot at f11ish.
Developed in over diluted Ilford Multigrade.
Straight scan and inverted only.
I love how straight inverts have this bluish hue but as this is a coated lens so the hue is less.
Scanned at 1200 dpi, colour and Epson V800
From A Distance
|
|
|
Silver gelatin paper negative process. Sinar P 8 x 10 Cam.
Tetenal vario 5 matt paper.
Sironar N 135mm lens.
Developed in over diluted Ilford Multigrade.
Good Morning World
|
|
|
Silver gelatin paper negative process.
8 x 10 tetenal vario 5 paper,
Vintage 8 x 10 studio camera.
Fujinon 300mm W F5.6 Lense.
Straight paper neg developed in Multigrade, scanned, inverted and some dust removal.
Cannot remember exact details but shot F8 ish @ 1/8th of 1/15th of a sec exposure.
Metered at Iso 4.
Day 2 of study. A bit over exposed...but I like it. the pursuit of the perfect negative to contact print from.
Midnight On The Water
|
|
|
Silver gelatin paper negative process.
8 x 10 tetenal vario 5 paper,
Vintage 8 x 10 studio camera.
Fujinon 300mm W F5.6 Lense.
Straight paper neg developed in Multigrade, scanned, inverted and some dust removal.
Cannot remember exact details but shot F5.6ish @ 1/8th of 1/15th of a sec exposure.
Metered at Iso 4.
Day 2 of study.
A Naked Truth
|
|
|
Silver gelatin paper negative process.
8 x 10 tetenal vario 5 paper,
Vintage 8 x 10 studio camera.
Fujinon 300mm W F5.6 Lense.
Straight paper neg developed in Multigrade, scanned, inverted and some minor dust removal.
Cannot remmeber exact details but shot F8 ish @ 1/8th of 1/15th of a sec exposure.
Metered at Iso 4.
Day 2 of study.
I left the plate holder open and the light leak created the light gradient.
Left the negative rather naked....real analogue fingerprints and artifacts...:-)
Desert Dreams
|
|
|
Silver gelatin paper negative process. 8 x 10 tetenal vario 5 paper, Vintage 8 x 10 studio camera. Fujinon 300mm W F5.6 Lense. Straight paper neg developed in Multigrade, scanned, inverted and some dust removal. Location: Our kitchen bench...morning light. Cannot remmeber exact details but shot F8ish @ 1/8th of 1/15th of a sec exposure. Metered at Iso 4.
Some Time Soon
|
|
|
|
Silver gelatin paper negative process.
Vintage Ernmann 5 x 7 LF Camera.
Kodak Aero Ektar,
Expired Ilford glossy paper.
I tried to make a quick lense hood for the Ektar but ended up creating a vignette.
6 seconds @ f8ish
Across The Great Divide
|
|
|
Silver gelatin paper negative process.
Vintage Ernmann 5 x 7 LF Camera.
Kodak Aero Ektar,
Expired Ilford glossy paper.
I tried to make a quick lense hood for the Ektar but ended up creating a vignette.
5 seconds at f6ish
The Maize Field
|
|
Silver gelatin paper negative process.
Vintage Ernmann 5 x 7 LF Camera.
Kodak Aero Ektar, Expired Ilford glossy paper.
I tried to make a quick lense hood for the Ektar but ended up creating a vignette.
I unintentionally over exposed this also in the moring light. 3 seconds at f6.
Day One Ends 2018 No.2
|
|
|
|
Silver gelatin paper negative process.
Vintage Ernmann 5 x 7 LF Camera.
Kodak Aero Ektar,
Exposure 3 seconds at f4.
Expired Ilford glossy paper.
Was gonna call this...the Gondalas, or Dreaming of Queenstown....or The Zepplins Arrive....to much imagination...but love the image and the lens...
Day One Ends 2018 No.2
|
|
|
Silver gelatin paper negative process.
Vintage Ernmann 5 x 7 LF Camera.
Kodak Aero Ektar,
Exposure 3 seconds at f4.
Expired Ilford glossy paper.
Jump to top
RSS feed- Latest items - Subscribe to the latest items added to this album
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter