Photos with the keyword: Entropy ≥ Mimesis . Catharsis ²
pεrƒormatıvε bordεrlınε homεostasy . .
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Outlining a Theory of General Creativity .. on a 'Pataphysical way
Entropy ≥ Memory . Creativity ²
stratified as:
Memory . Creativity ² = ∪ { Mimesis . Catharsis ² }
Mimesis . Catharsis ² = ∪ { Metabolê . Catabolê ² }
Metabolê . Catabolê ² = ∪ { Meiosis . Chromosoma ² }
Meiosis . Chromosoma ² = ∪ { Molecula . Chymia ² }
Molecula . Chymia ² = ∪ { M . c ² }
M . c ² = ∪ { E }
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" Le thème principal à la maturité d'Austin - How to Do Things with Words - est que cette distinction entre le performatif et d'autres types d'actes de langage s'estompe. Il suffit de dire que certaines choses se marient pour qu'elles le soient (un «performatif») et de dire que certaines choses sont promises pour qu'elles le soient (un autre «performatif»), ainsi dire certaines choses constitue un énoncé déclaratif (supposément un "constatif"). Comme Austin le vit, mais que beaucoup de philosophes ne parviennent pas à voir, le parallèle est exact. Enoncer est autant l'accomplissement d'un acte illocutoire qu'une promesse, qu'un pari, qu'un avertissement, ou ce que vous voudrez. Tout énoncé consiste à effectuer un ou plusieurs actes illocutoires."
"The main theme of Austin's mature work - How to Do Things with Words - is that this distinction between performatives and other kinds of speech acts collapses. Just as saying certain things constitutes getting married (a "performative") and saying certain things constitutes making a promise (another "performative"), so saying certain things constitutes making a statement (supposedly a "constative"). As Austin saw but as many philosophers still fail to see, the parallel is exact. Making a statement is as much performing an illocutionary act as making a promise, a bet, a warning or what have you. Any utterance will consist in performing one or more illocutionary acts."
( John Rogers Searle - Expression and Meaning )
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| . rectO-persO . | . Flickr DNA . | . Darkr . | . E ≥ m.C² . | . MyLastFm . |
Outlining a Theory of General Creativity .. on a 'Pataphysical way
Entropy ≥ Memory . Creativity ²
stratified as:
Memory . Creativity ² = ∪ { Mimesis . Catharsis ² }
Mimesis . Catharsis ² = ∪ { Metabolê . Catabolê ² }
Metabolê . Catabolê ² = ∪ { Meiosis . Chromosoma ² }
Meiosis . Chromosoma ² = ∪ { Molecula . Chymia ² }
Molecula . Chymia ² = ∪ { M . c ² }
M . c ² = ∪ { E }
_______________________________________________________________________
" Le thème principal à la maturité d'Austin - How to Do Things with Words - est que cette distinction entre le performatif et d'autres types d'actes de langage s'estompe. Il suffit de dire que certaines choses se marient pour qu'elles le soient (un «performatif») et de dire que certaines choses sont promises pour qu'elles le soient (un autre «performatif»), ainsi dire certaines choses constitue un énoncé déclaratif (supposément un "constatif"). Comme Austin le vit, mais que beaucoup de philosophes ne parviennent pas à voir, le parallèle est exact. Enoncer est autant l'accomplissement d'un acte illocutoire qu'une promesse, qu'un pari, qu'un avertissement, ou ce que vous voudrez. Tout énoncé consiste à effectuer un ou plusieurs actes illocutoires."
"The main theme of Austin's mature work - How to Do Things with Words - is that this distinction between performatives and other kinds of speech acts collapses. Just as saying certain things constitutes getting married (a "performative") and saying certain things constitutes making a promise (another "performative"), so saying certain things constitutes making a statement (supposedly a "constative"). As Austin saw but as many philosophers still fail to see, the parallel is exact. Making a statement is as much performing an illocutionary act as making a promise, a bet, a warning or what have you. Any utterance will consist in performing one or more illocutionary acts."
( John Rogers Searle - Expression and Meaning )
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| . rectO-persO . | . Flickr DNA . | . Darkr . | . E ≥ m.C² . | . MyLastFm . |
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