The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Darwins snarked Study
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Ceci n'est pas une cloche
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So great was his fright that his waistcoat turned…
IT WAS A BOOJUM (bw)
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM
The Bandersnatch fled as the others appeared
The Hunting Of The Snark
A Nose Job
The Hunting of the Snark
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Two Noses
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Holiday and Gheeraerts I
Priest in the Mouth
Snark Hunt: Square One
The Snark in your Dreams
Neuman, Butcher, Jowett
The Butcher and Benjamin Jowett
Tree of Life
Inspiration by Reinterpretation
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
With yellow kid gloves and a ruff
An Expedition Team
Holiday and Gheeraerts I
The Billiard marker
The Uncle over Darwin's Fireplace
Monster Nose
The Broker's and the Monk's Nose (with a little he…
Holiday - Millais - Anonymous - Galle; detail
The Butcher & the young Raleigh (details)
Thomas Cranmer's Burning
Wood Shavings turned Pope (1st version)
Darwin's Fireplace and the Baker's Dear Uncle
Henry George Liddell in "The Hunting of the Snark"
Snarked: Henry George Liddell
Holiday - Millais- Anonymous - Galle, detail
6 Sources to the Beaver's Lesson
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From Doré's Root to Holiday's Rat
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Bonnet Head
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Hidden Carrol
A little Zoo in Charles Darwin's Study
Star and Tail
William III, Religion and Liberty, Care and Hope
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From Doré's Root to Holiday's Rat
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Heads by Henry Holiday and Marcus Gheeraerts the Elder
513 · · He was black in the face, and they scarcely could trace
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image. Sometimes Holiday mirrored his pictorial quotes: Here Holiday vertically flipped the "nose" of Gheeraert's "head". I flipped it back.
2011-12-12
2014-02-22
As for the image on the top of this page:
[left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday's illustration (woodcut by Joseph Swain for block printing) to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (scanned from an 1876 edition of the book)
[right]: a redrawn and horizontally compressed and reproduction of "The Image Breakers" (1566-1568) aka "Allegory of Iconoclasm", an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). Also I flipped the "nose" vertically.
CC BY-NC-ND 3.0 Version, 2000x2000: www.ipernity.com/doc/goetzkluge/36260048
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image. Sometimes Holiday mirrored his pictorial quotes: Here Holiday vertically flipped the "nose" of Gheeraert's "head". I flipped it back.
2011-12-12
2014-02-22
As for the image on the top of this page:
[left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday's illustration (woodcut by Joseph Swain for block printing) to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (scanned from an 1876 edition of the book)
[right]: a redrawn and horizontally compressed and reproduction of "The Image Breakers" (1566-1568) aka "Allegory of Iconoclasm", an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). Also I flipped the "nose" vertically.
CC BY-NC-ND 3.0 Version, 2000x2000: www.ipernity.com/doc/goetzkluge/36260048
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1st comparison: 2009-01-07
The Paul Juraszek Monolith (by Marcus Wills, 2006)
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