Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
White Spot
Two Bone Players
So great was his fright that his waistcoat turned…
Wood Shavings turned Pope
Holiday - Millais - Anonymous - Galle; detail
Wood Shavings turned Pope (1st version)
Darwin's Fireplace and the Baker's Dear Uncle
Holiday - Millais- Anonymous - Galle, detail
The Carpenter and Ahasuerus
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Gnarly Monstrance
Bard and Bellman
Hidden Carrol
Ditchley Snark
Ditchley Snark
While he rattled a couple of bones
While he rattled a couple of bones
Tree of Life
The Bellman and Father Time
Snark Hunting with the HMS Beagle
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
Thomas Cranmer's 42 Boxes
With yellow kid gloves and a ruff
The Bandersnatch fled as the others appeared
Millais, Anonymous, Galle
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Holiday and Gheeraerts I
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Darwins snarked Study
Alfred Parsons' depiction of Charles Darwin's study in Downe. The wood cutter was J. Tynan.
I assume that Alfred Parsons quoted shapes from Henry Holiday's illustration (cut by Joseph Swain) to The Bakers Tale in Lewis Carroll's The Hunting of the Snark in a similar manner as Henry Holiday used shapes in the works of earlier artists perhaps in order to "point" to these works. The match of each single shape could be quite incidental, but the the spacial relation of most shapes to each other also matches well. That is less likely to be just incidental.
(Alfred Parsons' depiction of Charles Darwin's new study is used here with permission by Dr. John van Wyhe, darwin-online.org.uk/. Henry Holiday's illustration has been scanned from a book published in 1911.)
This is one of the images which I posted on Flickr a few years ago. It is an earlier version of the image below:
I assume that Alfred Parsons quoted shapes from Henry Holiday's illustration (cut by Joseph Swain) to The Bakers Tale in Lewis Carroll's The Hunting of the Snark in a similar manner as Henry Holiday used shapes in the works of earlier artists perhaps in order to "point" to these works. The match of each single shape could be quite incidental, but the the spacial relation of most shapes to each other also matches well. That is less likely to be just incidental.
(Alfred Parsons' depiction of Charles Darwin's new study is used here with permission by Dr. John van Wyhe, darwin-online.org.uk/. Henry Holiday's illustration has been scanned from a book published in 1911.)
This is one of the images which I posted on Flickr a few years ago. It is an earlier version of the image below:
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