Darwins snarked Study
John Martin's Bard and Henry Holiday's Snark Illus…
The Banker and The Bonnetmaker
Fun with Allusions
Illustration for "Violinschule" by Henry Holiday
Grünewald and Holiday
The Residence of Henry Holiday
Recycled Bellman Draft
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
The Expression of Emotions
Thomas Cranmer's Burning
Seeing Letters, Skulls and Faces
Pig Band
Schnarkverschlimmbesserung
h80 - The Vanishing
h50 - Beavers Lesson
h30 - The Baker's Uncle
h70 - The Banker's Fate
h60 - Snark Court
h10 - The Landing
h11 - The Snark Hunting Party
Surrounded by Monsters
Thomas Cranmer's Boojum (with inset)
Thomas Cranmer's Boojum
The Vanishing of Thomas Cranmer
«L.C. forgot that "the Snark" is a tragedy and [sh…
The Baker's 42 Boxes and Iconoclasm
Carroll on the Rocks
Nose is a Nose is a Nose
Burning the Baker
Ceci n'est pas une cloche
Dream Snarks
Carroll's Barrister's Dream
The Billiard Marker & Henry George Liddell
Snarked Workplace
The Billiard marker
White Spot
Herbs & Horses
Two Bone Players
The Bankers Fate
So great was his fright that his waistcoat turned…
Two Noses
The Uncle over Darwin's Fireplace
The Monster in the Branches
Monster Nose
The Broker's and the Monk's Nose (with a little he…
The Broker's and the Monk's Nose
Holiday - Millais - Anonymous - Galle; detail
Bellman & Bard after retinex filtering
Where do Boojums live?
Bellman & Bard for B&W printing
Bellman & Bard after retinex filtering
Bellman & Bard
Bellman & Bard
The Butcher & the young Raleigh (details)
Bellmen on the Rocks
Henry Holiday
The Vanishing and the Gneiss Rock
Henry Holiday & John Martin
Nosemorph
Thomas Cranmer's Burning
Lacing Pillow
The Boojum sitting on some of the 42 boxes
IT WAS A BOOJUM (bw)
The Bellman and Sir Henry Lee (no marks)
Darwin's Fireplace and the Baker's Dear Uncle
Henry George Liddell in "The Hunting of the Snark"
Snarked: Henry George Liddell
Bankersnatched by the Bandersnatch
Holiday - Millais- Anonymous - Galle, detail
6 Sources to the Beaver's Lesson
Holiday and Gheeraerts I
The Baker's 42 Boxes
Weeds turned Horses (2)
The Carpenter and Ahasuerus
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Bellmen
Thumb & Lappet
Gnarly Monstrance
Bard and Bellman
Bonnet Head
Priest in the Mouth
Billiard-Marker & Henry George Liddell
Snark Hunt: Square One
Hidden Carrol
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
The Snark in your Dreams
Beagle and Beagle?
The Bell?
Ditchley Snark
See also...
Keywords
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"21 février 2011 à 21 h 47 min
Cette semaine, nous avons mis en ligne dans la Factory les contributions d’un nouveau membre de la communauté artsciencefactory, Goetz Kluge. La recherche proposée par M. Kluge porte sur la réutilisation de formes visuelles dans un autre contexte que celui par lequel elles ont été créées. Cette recherche est menée d’une manière qui s’appuie d’abord sur la sensibilité, elle ouvre de nombreuses perspectives quant à la compréhension de la construction des représentations. Plus d’un siècle avant qu’on ait pour la première fois entendu parler de copié/collé ou de remix, un dessinateur, Henry Holiday, met en oeuvre un système très sophistiqué de citations visuelles pour produire ses propres oeuvres, qui n’ont rien de plagiats ou d’imitations. Il n’est ni le premier ni le seul, mais l’observation attentive de Goetz Kluge, et son utilisation d’outils informatiques récents, aident à comprendre « de quoi sont faites les images » – plastiquement, mais aussi mentalement. Une telle démarche intéresse non seulement les artistes mais aussi tous ceux qui ont à produire des représentations, des visualisations et utilisent pour cela un « vocabulaire » et une « grammaire », le plus souvent sans en être conscients. JMF"
www.snrk.de/le_petit_bleu_qui_trouble
·
Due to the conceptual changes from artsciencfactory.fr to artsciencfactory.com, I don't maintain my artsciencfactory blog anymore.
Above them all th' Arch Angel: but his face [ 600 ]
Deep scars of Thunder had intrencht, and care
Sat on his faded cheek, but under Browes
Of dauntless courage, and considerate Pride
Waiting revenge: cruel his eye, but cast
Signs of remorse and passion to behold [ 605 ]
The fellows of his crime, the followers rather
(Far other once beheld in bliss) condemn'd
For ever now to have thir lot in pain,
Millions of Spirits for his fault amerc't
Of Heav'n, and from Eternal Splendors flung [ 610 ]
For his revolt, yet faithfull how they stood,
Thir Glory witherd. As when Heavens Fire
Hath scath'd the Forrest Oaks, or Mountain Pines,
With singed top thir stately growth though bare
Stands on the blasted Heath. He now prepar'd [ 615 ]
To speak; whereat thir doubl'd Ranks they bend
From wing to wing, and half enclose him round
With all his Peers: attention held them mute.
Thrice he assayd, and thrice in spight of scorn,
Tears such as Angels weep, burst forth: at last [ 620 ]
Words interwove with sighs found out thir way.
Paradise Lost (from Book I), John Milton, 1674
www.dartmouth.edu/~milton/reading_room/pl/book_1/index.shtml
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