Billiard-Marker & Henry George Liddell
Gnarly Monstrance
Bellmen
From Doré's Root to Holiday's Rat
The Baker's 42 Boxes
Bankersnatched by the Bandersnatch
On the Road Again
Goodnight, Sweet Prince
Through the Briars, through the Brambles
How to train a tiger
Mighty the Midget
He blew and he blew and he blew
Clang! Clang! Clang!
A Wand'ring Minstrel I
Don't Bump Your Head
Under Two Flags
The Weight
Jingle Shrugged
Ta Ra Ra Boom De ay
Bellmen on the Rocks
The Butcher & the young Raleigh (details)
Bellman & Bard
The Broker's and the Monk's Nose (with a little he…
Henry Holiday alluding to John Martin
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
Monster Face
Weeds turned Horses (BW)
William III, Religion and Liberty, Care and Hope
The Broker's and the Monk's Nose
Anne Hale Mrs. Hoskins
Inspiration by Reinterpretation
The Bellman and Father Time
Crossing the Line
Neuman, Butcher, Jowett
Hidden Carrol
The Snark in your Dreams
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
The Banker's Nose and Spectacles
The Bellman and Sir Henry Lee
Star and Tail
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- Photo replaced on 02 Jun 2013
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A Nose Job
[left]: a segment of Henry Holiday's illustration to The Banker's Fate (after his encounter with the Bandersnatch) in Lewis Carroll's The Hunting of the Snark (1876) and
[right]: a horizontally compressed segment of The Image Breakers (1566-1568), an etching by Marcus Gheeraerts the Elder. The resemblance of the "noses" is obvious once you mirror the nose in this image about a horizontal axis.
Reinterpratation of shapes (examples):
The segment of the spectacle frame is less obvious. Blurr the corresponding segment in Gheeraert's etching and you understand how Henry Holiday worked here (blue box). Another segment of the spectacle frame additionally has been black&white inverted (green box).
A cross(?) in Gheeraert's etching turns into a rectangular nostril. Holiday kept it rectangular in his illustration (yellow box).
[right]: a horizontally compressed segment of The Image Breakers (1566-1568), an etching by Marcus Gheeraerts the Elder. The resemblance of the "noses" is obvious once you mirror the nose in this image about a horizontal axis.
Reinterpratation of shapes (examples):
The segment of the spectacle frame is less obvious. Blurr the corresponding segment in Gheeraert's etching and you understand how Henry Holiday worked here (blue box). Another segment of the spectacle frame additionally has been black&white inverted (green box).
A cross(?) in Gheeraert's etching turns into a rectangular nostril. Holiday kept it rectangular in his illustration (yellow box).
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