getting ready for the dance
recycling plastic barbie hair 1
recycling plastic barbie hair (& faces) 2
la belle dame sans merci
mother and child
"I eat books"
reserved seat tickets $3.00
freefallin' A
222
supermodel ursula has a recurring nightmare
fish is all you need
the age of rhubarb
home invasion
memento mori
"full fathom five thy father lies..."
topsy-turvy thiebaud
almost blessed
intimations of spring
what if spring were static?
envelope for trish (front & back)
ontogeny
mae west #2: blood in the water
2 nudes + 2 screws + 4 tomatoes + (Gilbert & Georg…
try again, fail better
less decadent, much more beauty
blue for susi
collage envelope #4: horror & darkness & everythin…
collage envelope #3: peacock beauty, peacock pride
collage envelope #2: a black swan in italy
collage envelope #1: crow mania
"why don't you come up some time and. . .see me?"
summers sailing sunfish
altered children's book about fish: rays pp. 1-2
altered children's book about fish: remoras pp. 1-…
altered children's book about fish: remoras pp. 3-…
altered children's book about fish: rays pp. 3-4
san francisco, 1966-69
these are my parents
chilly water
anti-ransom postcard: bring the boy out
anti-ransom postcard: let the girl go
beethoven was a sunday painter
digital: rauschenberg knockoff
a waste of good tomatoes
postcard: the marquis de sade goes west
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the vulnerability of empty spaces
Photo of blonde by Lina Bertucci. Agave leaves by Jillian David. Empty signs by Jeff Brouus. Statue is "Laocoon and his Sons" by Gruppo del Laocoonte. Mirror is detail from painting by Jan van Eyck.
Art is aggressive: it attacks empty spaces. When I make a collage postcard, I'm always aware of how each element not only encroaches on the empty space of plain cardboard, the successive elements attack (by overlapping) each other.
Art is aggressive: it attacks empty spaces. When I make a collage postcard, I'm always aware of how each element not only encroaches on the empty space of plain cardboard, the successive elements attack (by overlapping) each other.
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