I'm not a INSTAGRAMMER...
The Council of Old Men
Stone's Breakfast
Betake yourself while possible
It's difficult to jump today's fence
Jonah' shadow in the whale's mouth
To great wrongs great doings
Ghosts came into
Take a sit and dream
The arms of capitalist exploitation
Transposable whiteness
Who Dares Wins
A light at the exit of the EU tunnel
UEFA Champions League, quarter-final
A gentleman is always a gentleman even if the Vene…
Are they savoring the reflections of the day?
Yesterday the silence returned to the city
Is there some volunteer to be responsible by the w…
Family talking
So young and with too many children
The show must go on
Performers
What time is it?
Anniversary cake of the confraternization lunch of…
There is always a chance
The Queen
The sun isn't for everyone
A farm in the middle of the city - 5
Who stole the Easter eggs?
...therefore our dimension isn't life nor death...
Spring
Biking until fall on ground
Upside down or upside up
stories
Unexpected vortex
Hello! I'm right behind you!
During the day ghosts are hiding on the sidewalk
h o p e
The last tie of the soul
Look at what will happen to our umbrellas this wee…
The Carnival of life isn't enough?
Rollercoaster
Not Allowed To Piss On The Grass
affection
Undefended Fence
See also...
Keywords
Authorizations, license
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"PERFORMING FOR THE CAMERA", at TATE MODERN (until 12 June)
(lightbox view, please)
"In STRIP, [Writer, Critic, Dealer, Curator] (1999-2000), Jemina STEHLI takes her clothes off in front of a series of influential men from the art world. She has her back to the camera so that we see her strip off from behind - pull down her jeans, step out of her knickers, until she is standing naked in just her high-heeled black shoes. It is the watching men - their expressions, their body language and how it changes as STEHLI removes each bit of clothing - who are the focus here, from the dealer who sits with his legs wide apart, deep in concentration, to the writer who sits with his knees together, a nervous look in his face."
by Eleanor BIRNE, in "LONDON REVIEW OF BOOKS", Volume 38, Number 8, April 2016 (extract from her exhibition review)
"In STRIP, [Writer, Critic, Dealer, Curator] (1999-2000), Jemina STEHLI takes her clothes off in front of a series of influential men from the art world. She has her back to the camera so that we see her strip off from behind - pull down her jeans, step out of her knickers, until she is standing naked in just her high-heeled black shoes. It is the watching men - their expressions, their body language and how it changes as STEHLI removes each bit of clothing - who are the focus here, from the dealer who sits with his legs wide apart, deep in concentration, to the writer who sits with his knees together, a nervous look in his face."
by Eleanor BIRNE, in "LONDON REVIEW OF BOOKS", Volume 38, Number 8, April 2016 (extract from her exhibition review)
, .t.a.o.n., , and 3 other people have particularly liked this photo
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