Constance-Caroline Lefebvre's autograph at the bac…
Constance-Caroline Lefebvre by Numa Blanc (3)
Marietta Alboni by Disdéri (7)
Marietta Alboni by Crémière
Elvira Repetto-Trisolini by Canton
Pauline Lauters-Gueymard by Disdéri (5)
Pauline Lauters-Gueymard by Disdéri (6)
Marie Desclauzas by Gaston & Mathieu
Pasquale Brignoli's autograph at the back
Pasquale Brignoli by Trinquart
Giovanni Belletti by Bassano with autograph
Mlle de Taisy by Erwin Frères
Mlle de Taisy by Disdéri
Pauline Viardot-Garcia by Carjat with autograph
Angiola Ortolani-Tiberini by Crémière
Angela Peralta Castera's autograph at the back
Angela Peralta Castera by De La Mora
Étienne Troy by Numa Blanc
Elena Sanz by Mulnier
Eleonora Grossi by Trinquart
Antonio Tamburini by Petit
Albert Alvarez by Aimé Dupont
Marcel Boudouresque by Aimé Dupont
Marie Caroline Miolan-Carvalho by Photographie Art…
Debut Constance-Caroline Lefebvre at the Opéra-Com…
Debut Constance-Caroline Lefebvre at the Opéra-Com…
Gustave Roger and Marie-Stéphanie Meillet by Mitki…
Mlle de Taisy and Marie Godfrend by Disdéri
Marie Caroline Miolan-Carvalho by Petit (3)
Lise Tautin by Numa Fils
Delphine Ugalde by Tourtin
Delphine Ugalde's autograph at the back
Armand Castelmary by Fermepin Hermanos
Giovanni Zucchini by Bergamasco
Giovanni Zucchini 's autograph at the back
Therese Tietjens by Negretti & Zambra
Therese Tietjens by Mayer Brothers
Josefa Gassier-Fernandez by Mayer Brothers
Marie Rôze by Otto & Fière
Marie Sasse by Disdéri (2)
Short note with autograph Marie Sasse
Louis Gueymard by Disdéri (7)
Louis Gueymard by Disdéri (6)
François-Pierre Villaret by Tourtin
Pietro Neri-Baraldi by Caldesi
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Marie Caroline Miolan-Carvalho by Erwin frères (2)
Marie Caroline Miolan-Carvalho, born Marie Caroline Félix-Miolan (1827-1895); French soprano who sang in various premières. The best known are in opera's by Charles Gounod: Marguerite in "Faust" (1859), Baucis in "Philemon et Baucis" (1860) , Sylvie in "La colombe" (1860), the title-role in "Mireille" (1864) and Juliette in "Roméo et Juliette"(1867). She studied singing at the Conservatoire National de Paris where she was a pupil of the famous tenor Gilbert Duprez. In 1849 she made her debut at the Opéra in Brest as Isabella in Meyerbeer's "Robert le Diable". In that same year she was engaged in Paris at the Opéra-Comique where she debuted very successfully in the title role of "Lucia di Lammermoor". Here she remained until 1855. In 1853, she married Léon Carvalho, a French impresario and director of the Théâtre-Lyrique. After their marriage, she began to use the name Caroline Carvalho instead of Marie Miolan and became the prima donna at the Théâtre-Lyrique from 1856 to 1867. From 1868 until her retirement from the stage in 1885 she performed at the Opéra-Comique and at the Grand Opéra Paris. She made international guest appearances at London, Berlin, Brussels and St. Petersburg.
On the photo she is seen as Mireille, the role she created in 1864.
On the photo she is seen as Mireille, the role she created in 1864.
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