Oscar Arnoldson by Waldemar Dahlöff
Anna Klemming by Dahllöf
Sigrid Arnoldson by Nadar
Märta Petrini by Dahllöf
Anna Klemming by Florman
Signe Hebbe by Florman
Signe Hebbe by Eurenius & Quist
Leonard Labatt by Luckhardt
Fritz Arlberg by Unknown
Anders Willman by Florman
Louise Pyk by Florman
Anna Maria Strandberg by Dahllöf
Louise Michaëli by Florman
Olof Strandberg by Unknown
Rudolf Walin by Lundbergh
Pavel Akinfievich Khohklov by Unknown
Pavel Akinfievich Khohklov by Konarski
Ippolit Petrovich Pryanishnikov by Aleksandrovski
Stepan Vlasov by Unknown
Carl Mayerhofer's autograph at the back
Carl Mayerhofer by Müller Jun.
Katharina Klafsky by Bieber (2)
Karl Streitmann by Rockwood
Sigrid Arnoldson by Walery
Marie Blanche Peschard by Gaston & Mathieu
Marie Desclauzas by Numa Fils (2)
Short note with autograph Marc Bonnehée
Antonio Cotogni by Laurent
Leone Giraldoni by Laurent
Marc Bonnehée by Disdéri
Emilia La Grua by Disdéri (3)
Emilia La Grua by Disdéri (2)
Pauline Lauters-Gueymard by Reutlinger
Célestine Galli-Marié by Reutlinger
Célestine Galli-Marié by Saint-Edme
Célestine Galli-Marié by Carjat (1)
Marie Caroline Miolan-Carvalho by Maze
Short note with autograph Marie Caroline Miolan-Ca…
Short note with autograph Marie Caroline Miolan-Ca…
Louise Liebhardt by Negretti & Zambra
Désirée Artôt by Poulton
Therese Tietjens by Elliott & Fry (1)
Bertha Ehnn by Mahlknecht (1)
Bertha Ehnn by Luckhardt
Franz Eppich by Gertinger
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Sigrid Arnoldson by Unknown
Sigrid Arnoldson (1861-1943); Swedish soprano.
She received her first vocal training from her father -the tenor Oscar Arnoldson- and from the Swedish baritone Fritz Arlberg. In 1882/83 she gave her first concerts in Sweden and Norway. She continued her studies in Paris with Moritz Strakosch, Mathilde Marchesi and Desirée Artôt. In 1885 she made her professional opera debut at Prague as Rosina in Rossini's "Il barbiere di Siviglia". With that same part of Rosina she made in 1886 her debut in Moscow at the Bolshoi Theatre and in 1887 in London at the Drury Lane Theatre. The critics described her as the "New Swedish Nightingale" and as the succcessor of the unforgotten Jenny Lind. In the following years she made guest appearances at Berlin, London, Paris (Opéra-Comique and Théâtre Lyrique), Denmark, Italy, Monte Carlo, St, Petersburg, Warsaw, Amsterdam, The Hague and Basel. In 1893/94 she debuted at the Metropolitan Opera in New York as Baucis in Gounod's "Philémon et Baucis". As a follow-up to her engagement at the Metropolitan, she undertook a major concert tour through the United States. In 1896/97 she made guest appearances at Bremen, Leipzig and Frankfurt am Main. The whole career of the artist was featured by worldwide tours, concerts and guest appearances. From 1912 on she worked as a vocal teacher; first at Vienna for 25 years and later at Stockholm. Her voice is preserved on several recordings made in Berlin between 1906 and 1910. There excists also a private recorded cylinder from the early days of sound recording (1889 !!).
For Rosina's aria "Una voce poco fa" sung by Sigrid Arnoldson go to: www.youtube.com/watch?v=linp02QM_7c
She received her first vocal training from her father -the tenor Oscar Arnoldson- and from the Swedish baritone Fritz Arlberg. In 1882/83 she gave her first concerts in Sweden and Norway. She continued her studies in Paris with Moritz Strakosch, Mathilde Marchesi and Desirée Artôt. In 1885 she made her professional opera debut at Prague as Rosina in Rossini's "Il barbiere di Siviglia". With that same part of Rosina she made in 1886 her debut in Moscow at the Bolshoi Theatre and in 1887 in London at the Drury Lane Theatre. The critics described her as the "New Swedish Nightingale" and as the succcessor of the unforgotten Jenny Lind. In the following years she made guest appearances at Berlin, London, Paris (Opéra-Comique and Théâtre Lyrique), Denmark, Italy, Monte Carlo, St, Petersburg, Warsaw, Amsterdam, The Hague and Basel. In 1893/94 she debuted at the Metropolitan Opera in New York as Baucis in Gounod's "Philémon et Baucis". As a follow-up to her engagement at the Metropolitan, she undertook a major concert tour through the United States. In 1896/97 she made guest appearances at Bremen, Leipzig and Frankfurt am Main. The whole career of the artist was featured by worldwide tours, concerts and guest appearances. From 1912 on she worked as a vocal teacher; first at Vienna for 25 years and later at Stockholm. Her voice is preserved on several recordings made in Berlin between 1906 and 1910. There excists also a private recorded cylinder from the early days of sound recording (1889 !!).
For Rosina's aria "Una voce poco fa" sung by Sigrid Arnoldson go to: www.youtube.com/watch?v=linp02QM_7c
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