Marie Sasse by Disdéri (1)
Marie Garnier by Dagron
Victor Prilleux's autograph at the back
Victor Prilleux by Moulin
Louis Barrielle by Millet with autograph
Marie Caroline Miolan-Carvalho by Franck
Marie Caroline Miolan-Carvalho's autograph at the…
Marie Caroline Miolan-Carvalho by Erwin frères (1)
Léon Melchissédec's autograph at the back
Léon Melchissédec by Reutlinger
Anna de La Grange by Reutlinger with autograph
Florence Lancia by Disdéri with autograph
Autograph Clara Louise Kellogg (2)
Clara Louise Kellogg by Brady
Carl Rosa by Gurney
Autograph Euphrosyne Parepa-Rosa
Euphrosyne Parepa-Rosa by Stinson & Co
Euphrosyne Parepa Rosa by Stereoscopic (1)
Euphrosyne Parepa-Rosa by Gurney
Euphrosyne Parepa-Rosa by Stereoscopic (2)
Johann Nepomuk Beck by Bohr
Johann Nepomuk Beck by Mahlknecht (2)
Johann Nepomuk Beck by Mahlknecht (3)
Gabrielle Moisset by Reutlinger (3)
Marie Cabel by Bingham (2)
Emma Mauduit by Otto & Fière
Fidès Devriès by Reutlinger (3)
Fidès Devriès by Reutlinger (2)
Fidès Devriès by Reutlinger (1)
Célestine Galli-Marié by Unknown
Célestine Galli-Marié and Alexandre Gourdin by Maz…
Célestine Galli-Marié and Charles-Amable Battaille…
Célestine Galli-Marié by Maunoury (3)
Célestine Galli-Marié by Reutlinger (2)
Célestine Galli-Marié by Reutlinger (1)
Célestine Galli-Marié by Maunoury (2)
Célestine Galli-Marié by Maunoury (1)
Célestine Galli-Marié by Bingham (3)
Célestine Galli-Marié by Petit & Trinquart
Célestine Galli-Marié by Bingham (2)
Célestine Galli-Marié by Bingham (1)
Achille-Félix Montaubry and Célestine Galli-Marié…
Achille-Félix Montaubry and Célestine Galli-Marié…
Achille-Felix Montaubry by Bingham
Achille-Felix Montaubry by Disderi (2)
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Marie Sasse by Charlet & Jacotin
Marie Sasse (1834-1907); Belgian soprano.
In 1852 she made her debut in Venice as Gilda in Verdi’s “Rigoletto”. After an engagement at the Théâtre Lyrique she was engaged in 1860 by the Grand-Opéra Paris, where she was one of the leading sopranos for the next 17 years. Here she created the role of Elisabeth in the (Paris) premiere of Wagner's (revised) “Tannhäuser” (1861), the role of Sélika in the premiere of Meyerbeer's
“L'Africaine” (1865) and the role of Elisabeth de Valois in the premiere of Verdi's “Don Carlos” (1867). At the “La Scala” in Milan she created in 1870 the role of Cecilia in the opera “Il Guarany” by Gomes. She made guest appearances at St. Petersburg, Brussels, Cairo and Madrid. For a short period (1864/67) she was married to the famous bass singer Armand Castelmary (1834-1897). In 1877 she retired from the stage and worked as a singing teacher in Paris.She published her memoires in 1902 under the title “Souvenirs d’une artiste”. At the end of her life she lost her financial means and she died in poverty.
In 1852 she made her debut in Venice as Gilda in Verdi’s “Rigoletto”. After an engagement at the Théâtre Lyrique she was engaged in 1860 by the Grand-Opéra Paris, where she was one of the leading sopranos for the next 17 years. Here she created the role of Elisabeth in the (Paris) premiere of Wagner's (revised) “Tannhäuser” (1861), the role of Sélika in the premiere of Meyerbeer's
“L'Africaine” (1865) and the role of Elisabeth de Valois in the premiere of Verdi's “Don Carlos” (1867). At the “La Scala” in Milan she created in 1870 the role of Cecilia in the opera “Il Guarany” by Gomes. She made guest appearances at St. Petersburg, Brussels, Cairo and Madrid. For a short period (1864/67) she was married to the famous bass singer Armand Castelmary (1834-1897). In 1877 she retired from the stage and worked as a singing teacher in Paris.She published her memoires in 1902 under the title “Souvenirs d’une artiste”. At the end of her life she lost her financial means and she died in poverty.
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