Célestine Galli-Marié and Alexandre Gourdin by Maz…
Célestine Galli-Marié by Unknown
Fidès Devriès by Reutlinger (1)
Fidès Devriès by Reutlinger (2)
Fidès Devriès by Reutlinger (3)
Emma Mauduit by Otto & Fière
Marie Cabel by Bingham (2)
Gabrielle Moisset by Reutlinger (3)
Marie Sasse by Charlet & Jacotin
Marie Sasse by Disdéri (1)
Marie Garnier by Dagron
Victor Prilleux's autograph at the back
Victor Prilleux by Moulin
Louis Barrielle by Millet with autograph
Marie Caroline Miolan-Carvalho by Franck
Marie Caroline Miolan-Carvalho's autograph at the…
Marie Caroline Miolan-Carvalho by Erwin frères (1)
Léon Melchissédec's autograph at the back
Léon Melchissédec by Reutlinger
Anna de La Grange by Reutlinger with autograph
Florence Lancia by Disdéri with autograph
Autograph Clara Louise Kellogg (2)
Clara Louise Kellogg by Brady
Célestine Galli-Marié by Maunoury (3)
Célestine Galli-Marié by Reutlinger (2)
Célestine Galli-Marié by Reutlinger (1)
Célestine Galli-Marié by Maunoury (2)
Célestine Galli-Marié by Maunoury (1)
Célestine Galli-Marié by Bingham (3)
Célestine Galli-Marié by Petit & Trinquart
Célestine Galli-Marié by Bingham (2)
Célestine Galli-Marié by Bingham (1)
Achille-Félix Montaubry and Célestine Galli-Marié…
Achille-Félix Montaubry and Célestine Galli-Marié…
Achille-Felix Montaubry by Bingham
Achille-Felix Montaubry by Disderi (2)
Achille-Felix Montaubry by Numa Blanc
Achille-Félix Montaubry by Disderi (1)
Première-cast "L'Africaine" (1); Emilio Naudin as…
Première-cast "L'Africaine" (2); Marie Sasse as Sé…
Première-cast "L'Africaine" (3); Victor Warot as D…
Première-cast "L'Africaine" (4); Jean-Baptiste Fau…
Jean-Baptiste Faure by Mayer & Pierson
Jean-Baptiste Faure by Numa Blanc (3)
Christine Nilsson by Sarony
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
439 visits
Célestine Galli-Marié and Charles-Amable Battaille by Bingham
Célestine Galli-Marié (born Célestine Marié de l'Isle (1840-1905); French mezzo-soprano.
She was the daughter of the opera singer Félix Mécène Marié de l'Isle (1811-1882), who taught her singing. In 1859 she made her debut at Strassburg and in 1861 she performed at Lisbon. From 1862 until 1885 she was engaged at the Paris Opéra-Comique. She created various première-roles. The most known are Kaled in Maillart’s “Lara”(1864), Blandine in Gevaert’s “Le capitaine Henriot” (1864), Friday in Offenbach’s “Robinson Crusoé” (1867), Fantasio in Offenbach’s “Fantasio” (1872), Lazarillo in Massenet’s “Don César de Bazan” (1872) and Zanetto in Paladilhe’s “Le passant” (1872). She is however best remembered for creating the title-role in the opera “Mignon” (1866) by Ambroise Thomas (1866) and the title-role in “Carmen” by Georges Bizet (1875). These two roles made her world famous and from 1875 on she made guest appearances all over the world in these two opera’s. In 1885 she appeared in the 100th (gala)performance of Carmen at the Opéra-Comique. Here she ended her career in the same year. In 1890 she returned to the Opéra-Comique to sing in a fundraising performance to erect a monument to the composer Bizet.
The mezzo-soprano Paola Marié (1847-1919) was her younger sister and was also well known for the interpretations of Carmen and Mignon.
Charles-Amable Battaille (1822-1875); French bass. He was a pupil of Manuel Garcia jr. and made his debut in 1848 at the Opéra-Comique Paris in Donizetti's "La fille du regiment". He sang at various premières. The most known are: Halévy's "La fée aux roses" (1849), Meyerbeer's "L'étoile du nord" (1854), Ambroise Thomas' "Psyché" (1857), Gounod's "Philémon et Baucis" (1860) and Ambroise Thomas' "Mignon" (1866).
In 1854 he sang at the first performance of Hector Berlioz's oratorio "L'enfance du Christ" the role of "Le père de famille".
On the photo Galli-Marié is seen as Mignon in the eponymous opera by Ambroise Thomas. Her partner is Charles-Amable Battaille in the role of Lothario.
She was the daughter of the opera singer Félix Mécène Marié de l'Isle (1811-1882), who taught her singing. In 1859 she made her debut at Strassburg and in 1861 she performed at Lisbon. From 1862 until 1885 she was engaged at the Paris Opéra-Comique. She created various première-roles. The most known are Kaled in Maillart’s “Lara”(1864), Blandine in Gevaert’s “Le capitaine Henriot” (1864), Friday in Offenbach’s “Robinson Crusoé” (1867), Fantasio in Offenbach’s “Fantasio” (1872), Lazarillo in Massenet’s “Don César de Bazan” (1872) and Zanetto in Paladilhe’s “Le passant” (1872). She is however best remembered for creating the title-role in the opera “Mignon” (1866) by Ambroise Thomas (1866) and the title-role in “Carmen” by Georges Bizet (1875). These two roles made her world famous and from 1875 on she made guest appearances all over the world in these two opera’s. In 1885 she appeared in the 100th (gala)performance of Carmen at the Opéra-Comique. Here she ended her career in the same year. In 1890 she returned to the Opéra-Comique to sing in a fundraising performance to erect a monument to the composer Bizet.
The mezzo-soprano Paola Marié (1847-1919) was her younger sister and was also well known for the interpretations of Carmen and Mignon.
Charles-Amable Battaille (1822-1875); French bass. He was a pupil of Manuel Garcia jr. and made his debut in 1848 at the Opéra-Comique Paris in Donizetti's "La fille du regiment". He sang at various premières. The most known are: Halévy's "La fée aux roses" (1849), Meyerbeer's "L'étoile du nord" (1854), Ambroise Thomas' "Psyché" (1857), Gounod's "Philémon et Baucis" (1860) and Ambroise Thomas' "Mignon" (1866).
In 1854 he sang at the first performance of Hector Berlioz's oratorio "L'enfance du Christ" the role of "Le père de famille".
On the photo Galli-Marié is seen as Mignon in the eponymous opera by Ambroise Thomas. Her partner is Charles-Amable Battaille in the role of Lothario.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.